One town. Two playwrights. Two radically different worlds.

A collection of Larry Tremblay’s four memorable solo performances for the stage: A Trick of Fate, Anatomy Lesson, The Dragonfly of Chicoutimi and Ogre. With an introduction by Jane M. Moss.

In this psychological thriller set in a fictionalized 1930s Vancouver, Alex Braithewaite, a troubled but passionate theatre critic, believes he has found the legendary Stanley Lee, director of the infamous avant-garde theatre The Empty Space. Alex becomes convinced that this man’s radically subversive ideas are what the city’s arts community…

Nan’s family is home for Thanksgiving, but some unsolicited truths are about to be dropped at the dinner table. Old wounds and new realities collide, and sibling rivalry is stoked, but the enduring spirit that guides this family charges on, ever fierce. Thanks for Giving offers plenty to chew on.…

A woman returns to the cottage country of Ontario where, 32 years before, she vacationed with her family. Cast of 5 women and 2 men.

The story of a woman sent away from her family by her brother the Bishop after she is found exploring her sexuality at age seventeen. Cast of 1 woman and 2 men.

Canada’s most famous Aboriginal playwright, Tomson Highway, sets his latest theatrical achievement, The (Post) Mistress, in a not-so-distant past, when sending letters through the mail was still vital to communicating with friends and loved ones, and the small-town post office was often the only connection to faraway places longed-for or imagined.

The Art of Building a Bunker is a dark, viciously funny story recounting a week in the life of your average Elvis as he endures mandatory workplace sensitivity training.

A highly wrought farce of patrimony in a stifling, politically correct, post-colonial milieu of “fancy dancers” of every stripe on the pow wow trail. Cast of 3 women and 3 men.

Concluding Taylor’s Blues Quartet, German developers here show up on the “Otter Lake Reserve” proposing “OjibwayWorld,” a Native theme park designed to attract Europeans tourists to this destination resort. Cast of 3 women and 3 men.

“ The Book of Esther examines the seemingly irreconcilable positions of two groups: conservative rural Christians and militantly anti-religious urban queer activists. But Brodie doesn’t take sides. Instead, it’s like she’s picked up a rock to discover what’s scurrying around underneath, pointed it out to us, and said, “Isn’t this interesting. Maybe we should all look at this for a while. Maybe we should talk about it, instead of just pretending that it isn’t there.”

Two plays about the process of children becoming adults and the nature of, and necessity for, rites of passage in all cultures.

The third play in Taylor’s ongoing zany, often farcical examination of both Native and non-Native stereotypes in what is to become what he calls his “Blues Quartet.” Cast of 3 women and 3 men.

This heart-wrenching but beautifully cathartic story of a family coming to grips with itself unfolds with unmistakably poignant honesty. Cast of 4 women and 5 men.

A lifetime’s devotion to the music of Mozart conceals a gruesome secret. Cast of 4 women.

Will a Montreal Mafioso sacrifice his young son for safe conduct to England? Cast of 6 women and 8 men.

The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death, children go missing on the nearby reserve, and an unseen predator pursues Beth. Not to mention Beth is becoming aware that there is darkness in her own home: her mother’s relationship…

An astonishingly profound and prophetic political drama that delivers the powerful and cathartic stillbirth of a nation, stripped of both pity and fear. Cast of 2 women and 4 men.

Haplessly determined to have his own miserable authority vindicated, chief dishwasher Dressler presides over the steam-choked basement of an upscale restaurant, tyrannizing his co-workers with his rants of pride of craft and Marxist rhetoric. Cast of 3 men.

Quebec City, 1905. Two priests-to-be are ordered to deliver a cease-and-desist letter to a controversial visitor to their city: the legendary French actress, Sarah Bernhardt. The Divine was commissioned for the 2015 Shaw Festival in honour of George Bernard Shaw and everyone who loves the theatre, and in memory of Sarah Bernhardt, “the woman who dares to say everything that should be left unsaid.”

The stormy and angst-filled relationship between Claude and his father Alex is compellingly played out with a cruel and disconsolate irony in an Alzheimer’s ward. Cast of 2 men.

The first of three plays in this saga of one of Canada’s wealthiest and most ruthless families. Cast of 2 women and 6 men.

A dark family secret emerges in this second play about the wealthy and ill-fated Dunsmuir family. Cast of 3 women and 6 men.

Contains the Governor General’s Award-winning Criminals in Love (1984), Chalmers Award-winning Better Living (1986) and Escape from Happiness (1987). With an introduction by Jerry Wasserman.

Contains Beautiful City, Love and Anger and Tough.

A lyric documentary about a young Indian girl who comes to the city only to die on Skid Row. Cast of 5 women and 15 men.

The Edward Curtis Project began when the Presentation House Theatre commissioned Marie Clements to write a play that would stage the issues raised by Curtis’ monumental but controversial achievement—to dramatize not only the creation of his photographic record of “the vanishing race of the North American Indian” and the enormous commitment, unwavering vision, sacrifice, poverty and ultimate disappointment it represented for the photographer, but also the devastating legacy that his often misrepresentative and imposed vision had on the lives of the people he touched.

Panych’s brilliant tale reminds us all that fear can become a self-fulfilling prophecy. Cast of 2 women and 3 men.

Drawn from his own experiences, Vittorio Rossi’s new comedy-drama exposes the bureaucratic institution that is the Canadian film industry, and we follow the character Michael Moretti, a veteran playwright, as he struggles to get his new play, Romeo’s Rise, turned into a movie.

Two school boys plot and enact the murder of a classmate. Cast of 3 women and 17 men.

Three women – a housewife, a whore and the Virgin Mary – fight to break their stereotypes. Cast of 3 women.

Georgia O’Keeffe resigns herself to an old age spent alone in the auburn and tawny light of her beloved Faraway mountains, in the desert’s dangerous energies, its desolate beauty, until a stranger enters her life. Cast of 1 woman and 1 man.

The polarities of public and private lives, and issues of racism and pacifism in the suffragette movement. Cast of 3 women and 1 man.

A story of the ill-fated love between a wandering musician social-idealist and a Cape Breton coal miner’s daughter. Cast of 2 women and 3 men.

The destruction of the people of the Blackfoot Confederacy by the liquor trade in Alberta and Montana. Cast of 5 women and 13 men.

Winner of the prestigious 2008 Uchimura Naoya Prize, The Gull is a play written in the classical Noh style. Set in 1950, when wartime restrictions on interned Japanese Canadians had finally been lifted, allowing them to return to the coast, it exquisitely dramatizes the historical link between the fishing town of Steveston, home to many Japanese Canadians, and Mio, the coastal village in Japan from which many of their ancestors originally emigrated. An international collaboration, The Gull featured: Noh master Akira Matsui, declared an Important Intangible Cultural Asset by Japan in 1998, as the main actor; music by American Noh expert Richard Emmert; masks by Wakayama artist Hakuzan Kubo; and a troupe of professional Noh musicians from Japan.

“If there is a God, why would He create us? If He’s perfect, all-knowing, there’s nothing he can gain from us.” Murphy’s play, centred around the playwright’s assumed persona of “Jesus Murphy,” opens up a discourse where creation interrogates religion; atheists engage believers; and secularists confront theists. Cast of 1 man.

Two plays by Joan MacLeod: the Chalmers Award-winning The Hope Slide, and MacLeod’s first play for young audiences, Little Sister.

Three sisters have an “impromptu” and re-examine their personal and social problems. Cast of 4 women.

Camus’s The Just (Les Justes) is a five-act play based on the true story of a group of Russian revolutionaries who assassinated Grand Duke Sergei Alexandrovich in 1905. Bobby Theodore’s fresh, modern translation enhances the contemporaneity of the play.

Rather than confront her husband when she sees him with another woman, a blues singer follows the woman and insinuates herself into the other woman’s life. Cast of 3 women and 1 man.

A dark and thoroughly contemporary comedy. Cast of 2 women and 2 men.

The Living is a powerful and unsettling documentary play by Colleen Wagner, author of the Governor General’s Literary Award–winning play The Monument. It is inspired by the actual stories of women and girls who survived trauma in post-conflict zones like Rwanda and Uganda. The Living examines the lives of victims…

At the end of the First World War, to protect his village from the Spanish flu epidemic brought home by returning soldiers, a young priest recently arrived in the Parish of Lac St-Jean commissions a wandering Italian painter to decorate the walls of the local church with a fresco dedicated to the Virgin Mary. The presence of the foreign artist, his choice of a local virgin to serve as a model, and the frighteningly strange nature of his work will upset the lives and change the fate of the entire community.

Marchessault evokes the doubts, the trials and the joys of this singular existence. Cast of 3 women and 1 man.

An innovative, multi-layered deconstruction of mass media and politics. Cast of 2 men.

Young, naïve and inadequately trained nurse Heather Rose arrives in a remote Native community hoping to improve the lives of its residents, but ends up utterly disillusioned by the impotence of her interventions. Cast of 1 woman.

First published as a trilogy in 1986, The Power Plays contains Gossip (1977), Filthy Rich (1979) and The Art of War (1983). These three plays showcase the development and the culmination of Walker’s film noir style.

The shifting passions and ambitions of six women drawn from Shakespeare’s theatre. Cast of 6 women.

In The Real World?, Michel Tremblay returns to the very source of creative work, that notorious first play which supposedly contains the scenes of everything yet to come. And ultimately, he finds “himself” confronted with the same fundamental question over time. Did he have the right? Does he still have the right?

Cast of 4 women and 3 men.

Laid bare in the fictionalized autobiographical details of The Refugee Hotel are the universal truths both the victims and the survivors of political oppression continue to experience everywhere: the terror of persecution, arrest, and torture; the exhausted elation of escape; the trauma of learning to live again with the losses, betrayals, and agonies of the past; the irrational guilt of the survivor—even the tragedy of surviving the nightmares of the past only to have them return to challenge any hope of a future free of fear. More than a dark comedy about a group of Chilean refugees who arrive in Vancouver in 1974 after Pinochet’s coup, this play is Carmen Aguirre’s attempt to give voice to refugee communities from all corners of the globe.

A stockbroker and an ex-priest get together to console themselves after being abandoned by their mates and are forced to come to terms with their fragile natures as men. Cast of 3 women and 2 men.

A black cellist, on tour with a classical symphony orchestra, invokes the ghost of Louis Armstrong to help him with a difficult passage from Bach’s Six Suites for Solo Cello. The highly mythologized spirit of “the father of jazz himself” takes form in the cellist’s hotel room, where the lives of the characters intertwine and begin to play off each other, and issues of class, hope, courage, family, and race emerge in a lively and powerful struggle between head and heart, intellect and intuition. Ultimately, the drama resolves with the cellist’s beautiful rendition of the Bach piece. Full of great jazz and classical music, but using none of Satchmo’s own compositions, the play incorporates nine original jazz songs, co-written by the author-musicians, into the action.

A revitalization of a Russian theatre classic. Cast of 5 women and 8 men.

The Shape of a Girl examines the code of silence and tacit complicity which surrounded the sensationalized murder of Reena Virk by school-aged bullies in 1997. Jewel is based on the real-life catastrophe of the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, in 1982.

A play set in rural Quebec in the ’50s in which a battered child, Maurice, seeks refuge in a fantasy world. Cast of 1 man and 1 male child.

When inspector Milton shows up in a town in the middle of nowhere to investigate a mysterious murder, fifteen year-old Lowell’s skills at shaping the truth to protect both himself and those he cares about are put to the ultimate test: shall he plea bargain, or stick to the truth as he understands it? As Hardy once pointed out to him, “There’s something in between lying and not lying. It’s called a story.”

Roughly based on The Trial by Franz Kafka, this black comedy changes the lead character to a modem business woman who finds herself accused of an unknown crime. The more she delves into the bureaucratic nightmare the more her ordered, little world unravels and the more she is entangled in the increasingly obscure process.

Based on the author’s own experience as a victim of the Paper Bag Rapist, The Trigger is a play written for anyone who has ever dealt with sexual violation and who continues to live with it at their core. Cast of 5 women.

Surrealist dramatization of a notorious case involving mysterious deaths on Vancouver’s Skid Row. Cast of 11 women and 2 men.

Inspired by an event in British Columbia that shattered the public’s confidence in the police – the 2007 Tasering death of Robert Dziekanski during his arrest at the Vancouver airport – The Valley dramatizes the volatile relationship between law enforcement and people in the grip of mental illness. In addressing this fraught relationship, award-winning playwright Joan MacLeod empathizes with both parties, each of whom is guided by good intentions but equally challenged by their own
cultural biases and flawed humanity.

Theatre of innovation. Cast of 2 women and 2 men.

The Vic creates an ensemble of eight ethnically diverse women ranging in age from their teens to their fifties, each of them eager to claim the entitlement they feel their status as victim has “naturally” conferred upon them. Cast of 8 women.

Largely constructed from original interviews conducted by the playwright, The Watershed brings to the stage a multiplicity of ideological perspectives and conflicting visions for Canada’s natural resources, and its characters speak the words of real Canadians from all across the political spectrum. Policy is anything but dry in The Watershed; in fact, it holds startling implications for our national identity and future.

The disappearance of a young man acts as a catalyst for a drama that questions the nature of family and “traditional values.” Cast of 2 women and 1 man.

Three short plays by Cook: Tiln, Quiller and Therese’s Creed.

Following the accidental death of his lover, and in the throes of his grief, urban ad executive Tom travels to the country to attend the funeral and to meet his mother-in-law, Agatha, and her son, Francis – neither of whom know Tom even exists.

Three sisters and their mother are forced by the American government to relocate from Oklahoma to Los Angeles. As these four women try to re-establish connections to a new land, they each find themselves lost. Inspired by true events, Tombs of the Vanishing Indian is a poetic excavation of the lost stories of displaced Aboriginal people.

Drawing from MacLeod’s experience working with mentally handicapped adults and children, this play celebrates the personal challenges of both self-destruction and self-affirmation so vital to the process of identity creation. Cast of 2 women and 2 men.

This collection of eight of the finest plays produced by Vancouver’s New Play Centre marks the company’s 20th year.

This volume contains two uniquely Canadian stories of exile: The Island of Demons and Six Dry Cakes for the Hunted.