The VentriloquistFront Cover
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    ISBN: 9780889225367 | Paperback

    64 pages | Pub. Date: 20060401
    6.00 W × 9.00 H × 0.25 D inches
    Backlist | Drama | Bisac: DRA013000
    Rights: WORLD


In The Ventriloquist, Larry Tremblay directs his celebrated mastery of the dramatic monologue to an interrogation of the process of characterization itself. Alone on the stage with his puppet, the ventriloquist introduces his “self ” as a construct of characters, along with his “other” imagined characters, to an audience which bears witness to the enormous psychological risks an author must take in the creative process. Constantly walking the dangerously thin edge separating the creation of voice from its appropriation, the ventriloquist struggles to control and shape an imaginary dialogue that we know originates from a single source, but successfully creates the illusion of personal conflict and resolution, success and failure, triumph and despair.

Part of the extended metaphor of interaction between an authoritative adult psychoanalyst and a deeply disturbed adolescent patient, each of the characters in The Ventriloquist is stripped of their clothes of convention, encouraged to reveal both their “real” and “imagined” transgressions of mind and body, to break free of the constraints and taboos against incest, abuse, dominance and submission which are at one and the same time both the foundations and the limitations of the most fundamental of human interactions. As fractured as the process of writing itself, with all of its false starts, pauses, blockages and revisions, both the ventriloquist and his puppet in this play become a series of unresolved vocalized texts and erasures of self and other, locked in the struggle of the constructed self to imagine an other that is, in the end, more than merely an elaborated fragment of whom any given character represents from one moment of successful illusion to the next in both the “real” and the “imaginary” world.

“This is the best new Quebec play in many years.”
— Robert Lévesque, C’est bien meilleur le matin (Radio-Canada)

“A brilliantly constructed play that breaks through theatrical convention.”
Le Soleil

“Without a doubt the most recent play by the author of The Dragonfly of Chicoutimi is a fascinating thing.”
La Presse

By Larry Tremblay

Larry Tremblay is a writer, director, actor and specialist in Kathakali, an elaborate dance theatre form which he has studied on numerous trips to India. He has published twenty books as a playwright, poet, novelist and essayist, and is one of Quebec’s most-produced and translated playwrights (his plays have been translated into twelve languages).

Read more about Larry Tremblay

Translated by Keith Turnbull

Keith Turnbull’s career as a director, producer, designer and dramaturge is highlighted by a commitment to contemporary and new work in both theatre and opera. He has directed over seventy plays at various theatres throughout the world. Turnbull also founded a First Nations theatre company from which emerged many of Canada’s most noted Native performers.

Read more about Keith Turnbull

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