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A new essay in The Millions magazine hails French author Maylis de Kerangal as “France’s Unlikely Literary Rebel” and argues that her use, in her multiple award-winning novels, of unconventional lexicons and registers bites its thumb at more staid modes of writing:
De Kerangal’s books delight in a lexical mix. Sometimes in her fiction, as in her conversation, de Kerangal vacillates between French and English. … So too, her linguistic register shifts without pause. … De Kerangal has proven that serious themes don’t have to be dealt with in the grave, straightforward manner … rather, she shows that a novel comes alive when it is unconstrained by a single tone or linguistic register. Perhaps de Kerangal’s most meaningful achievement has been to chip away at what it means to be a fiction writer in France, a concept she has struggled with since her adolescence. She has escaped the prescriptive definition of “writer” as narrow and elitist, and in doing so, has created novels that connect with a wider audience.
Read the full essay for direct comments from de Kerangal herself and a fuller exploration by essayist Cody Delistraty of how de Kerangal’s style is changing the French literary landscape.
Another new review in the Montreal Review of Books, written by Aimee Wall and also published early this week, also praises the language in de Kerangal’s most recent novel, Mend the Living – and takes especial note of the quality of translation into English by Jessica Moore:
The narrative is expertly paced … De Kerangal writes in long sentences that heap clause upon clause, descriptive phrases that would seem to be at odds with the efficient, streamlined language of the processes they describe. And yet, by creating the sense of narrating events almost in real time, these long, rhythmic sentences convey something important about the passage of time on a day in which every moment, every detail, is critical. … These seemingly endless sentences occasionally almost teeter over into the melodramatic, but the novel is never mawkish. Jessica Moore’s translation work here is exceptional. French tends to be more forgiving of the endless sentence, the series of clauses, but de Kerangal’s page-long phrases are rendered deftly and gracefully in Moore’s English translation. … Moore’s translation is sensitive and precise.
From 1988 until the end of 2016, Salt-Water Moon was in print with its original yellow cover, which featured now-outdated type design and a production still from one of the original productions of this sweet play. Now, as the play experiences something of a revival, and as the book goes into its eighth printing, we are pleased to show off the newly redesigned cover of Salt-Water Moon.Tuesday September 26, 2017 in Meta-Talon
From Oral to Written is a study of Native literature published in Canada between 1980 and 2010, a catalogue of amazing books that sparked the embers of a dormant voice. Leading Aboriginal author Tomson Highway surveys the first wave of Native writers published in Canada, highlighting the most gifted authors and the best stories they have told, offering non-Native readers access to reconciliation and understanding, and at the same time engendering among Native readers pride in a stellar body of work. On Meta-Talon, read a selection from Highway’s prologue.Thursday August 10, 2017 in Meta-Talon
August 12 is Buy a Quebec Book Day – and have we got books for you! Browse our list of 12 august and recently published Quebec books – any of which we would, of course, recommend. Read the list, and then get out to your local bookstore this Saturday and show la belle province some literary love!Friday June 23, 2017 in Meta-Talon
The Gorge: Selected Writing by Nancy Shaw launched in April, 2017 at the Western Front in Vancouver. To launch Shaw’s book, published posthumously, editor Catriona Strang read from The Gorge, and then this video was played to a rapt audience. In the video, you’ll hear the voice of Nancy Shaw, reading poems from her book Cold Trip (2006; co-authored with Catriona Strang).
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.