news | Sunday February 16, 2025
rob mclennan writes about Chambersonic by Oana Avasilichioaei. Avasilichioaei’s latest collection imagines the book as an acoustic chamber. This collection of poems, essays, performance scores, and audio recordings comes alive with documents, rehearsals, and reverberations, all populated by an ensemble of players, instruments, and materials that make sound together.
Of the collection, mclennan says, “Avasilichioaei’s work has moved from origins of language, translation and between-ness into a poetics deeply engaged with the intersections (within the between-ness, as well) of text, sound and performance … The scale of this project is impressive, incorporating intervals, echoes, sound scores and layerings, as Avasilichioaei’s Chambersonic not only holds the full-length collection as her field of composition but one that incorporates sound and breath as foundational, echoing off the boundaries of the physical object of the book.”
Read his review here.