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Well, the end of 2016 is finally in sight. What a year it has been! We can’t help but laugh when our colleagues refer to 2016 as a dumpster fire of a year, for there have been many crises indeed – and yet there have also been victories, though one has to look for them. In the spirit of hope for the future, and in the enjoyment of a jolly period of rest before we jump back in for another round, we wish you a merry season!
Our gift to you: the above snap of Talon office pup, Mocha, looking shell-shocked while having her photograph taken with Santa Claus a week or two ago (taken on Pender Island, British Columbia).
Please also note that the Talonbooks office will be closed from December 24, 2016, through January 2, 2017.
The Gorge: Selected Writing by Nancy Shaw launched in April, 2017 at the Western Front in Vancouver. To launch Shaw’s book, published posthumously, editor Catriona Strang read from The Gorge, and then this video was played to a rapt audience. In the video, you’ll hear the voice of Nancy Shaw, reading poems from her book Cold Trip (2006; co-authored with Catriona Strang).Tuesday April 18, 2017 in Meta-Talon
By R. Kolewe
Inspecting Nostalgia is a new collection of poetry by R. Kolewe. This, his second collection, brings together found text and fragments of various writers’ work with scraps from his own journals.
In this third week of National Poetry Month 2017, and in advance of Kolewe’s Toronto launch on May 8, please enjoy two poems from the collection on Meta-Talon.Thursday April 13, 2017 in Meta-Talon
Stephen Collis’s latest collection of poetry is nominated for the 2017 George Ryga Award for Social Awareness in Literature. It rethinks the relationship between human beings and the natural world and searches for ways we can continue to resist. Today on Meta-Talon, we offer a section from “Reading Wordsworth in the Tar Sands,” the second long poem in Once in Blockadia.Monday April 10, 2017 in Meta-Talon
For you, in solidarity, during this National Poetry Month, a poem from Jónína Kirton’s new collection.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.