The School-Marm TreeFront Cover

ISBN: 9780889221291 | paperback / softback

$19.95 | 256 pages | Pub. Date: 1977
6.00 W × 9.00 H × 1 D inches
Fiction | Backlist | Bisac: FIC019000
ISBN 13: 9780889221291 | Rights: WORLD

In 1919, Howard O’Hagan went east to study law at McGill University. There, Stephen Leacock was one of his professors, and, with A.J.M. Smith, he edited the McGill Daily. Graduating in 1925 with a B.A. and a L.L.B., he came back west where, without being called to the bar, he practised law long enough to have one man thrown in jail and another released. Howard O’Hagan never did want to become a lawyer. Instead, he began to guide and pack in the Rockies. Between jobs and life in Australia, New York, England, Berkeley, Victoria and Italy, it was to the Rockies that he always returned. Fred Brewster, his life-long friend and one of the leading guides and outfitters in the area, introduced him to two park rangers on a cold, bitter Jasper night, paying him the greatest compliment of his life: “I want you to meet Howard O’Hagan, the best mountain man I’ve ever travelled with.”

The School-Marm Tree is a novel about mountains: about the “presence” in mountains, about the heart’s desire to go beyond mountains. No other writer in Canada knows mountains as O’Hagan does, or has quite the same affinity for them. The School-Marm Tree witnesses that knowledge and affinity.

By Howard O'Hagan

Sophie Bienvenu is a Québécois writer. After studying visual communication in Paris, she settled in Quebec in 2001 and quickly established herself as a successful blogger. Et au pire, on se mariera (La Mèche) her first novel, was followed by Chercher Sam (translation forthcoming from Talonbooks, 2019), and Autour d’elle, translated as Around Her by Rhonda Mullins (Talonbooks, 2018). Ceci n’est pas de l’amour (This Is Not Love) was her first poetry collection, published in 2016 by Poètes de brousse. Bienvenu’s writing takes its readers on an emotional journey, an intense exploration of profoundly human characters, transforming the ordinary into the extraordinary.

Read more about Howard O'Hagan


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