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Cerulean Blue is a comedic play about a struggling blues band invited to participate in a benefit concert for a First Nation community in conflict with governmental authorities. Upon arriving, the band discovers the entire lineup of musical acts has cancelled and they’re left trapped behind barricades. Complicating the matter, there is conflict within the band and the sudden appearance of an old girlfriend makes the event even more perilous.
This play is an homage to fast-moving farces while also addressing Aboriginal issues. Cerulean Blue deals with relationships, perceptions, politics, and what to do when you discover you’ve been dating your first cousin. Add a few spoonfuls of original blues music, and you’ve got a fun-filled evening.
The play was written for a large ensemble cast, which makes it ideal for musical theatre departments in high schools and colleges – every student can play a part. An original musical score by Andrew Clemens will be available for download from Talonbooks.com.
Cast of ten women and ten men.
ISBN 13: 9780889229525 | ISBN 10: 088922952X
5.5 W x 8.5 H inches | 144 pp pages
$18.95 CAN / $18.95 US
Rights: World
Backlist | Drama
Paperback Edition
QUOTES OF NOTE
“An off-the-chart comedy … Not only was the acting on point, but the musical talent was as well … I walked away smiling from ear to ear … an amazing show that gave me goosebumps, warmed my heart, and left me laughing right until the very end … There were moments when I felt as though I was disturbing the cast by laughing so hard in the front row. I had to cover my face with my program to calm myself down … The musical performances were on the same level as the fantastic acting: impeccable. Each member of the band played their own instruments and sang their own vocals live. It was a great combination of theatre and music. I got to enjoy a great production as well as a killer concert.”
– Ryerson Folio
About the Contributors
Drew Hayden TaylorHailed by the Montreal Gazette as one of Canada’s leading Native dramatists, Drew Hayden Taylor writes for the screen as well as the stage and contributes regularly to North American Native periodicals and national newspapers. His plays have garnered many prestigious awards, and his beguiling and perceptive storytelling style has enthralled audiences in Canada, the United States and Germany. One of his most established bodies of work includes what he calls the Blues Quartet, an ongoing, outrageous and often farcical examination of Native and non-Native stereotypes.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.