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Wednesday January 11, 2017 in Books
A heartwarming comedy about two middle-aged First Nations elders, Evie and Cecil, on their very first trip out of the country.
CECIL: So, what exactly are we going to do now that we’re here in Mexico?
EVIE: I’m so glad you asked. Supposedly there are some ancient Mayan ruins somewhere in the interior, not far from here. I thought that might be interesting.
CECIL: If you want to look at an ancient, broken-down, Indian ruin, we can go visit
Evie and Cecil are celebrating their thirty-fifth wedding anniversary. As a gift, their grown children send them on a second honeymoon – to a fabulous resort on the Caribbean coast of Mexico. The only problem is that neither have ever been out of the country, let alone off their Cree reservation. Each reacts to their new experiences differently, and something ominous seems to be bothering Cecil. Despite the sun, sand, and sea sparkling right outside the resort window, all Cecil seems to want to do is sit alone in his hotel room, idly flipping through TV channels, the curtains pulled tight. What is he worried about? Maybe there is more behind this trip than he has been told. The past, present, and future all pay the couple a visit as they acclimatize to the pleasures of Mexico – and
spicy food. Mixed up in all the fun is their hotel housekeeper, Manuela. As they form a bond with this courteous young local, they help her navigate some of the troublesome situations in which she finds herself.
Cast of 1 man and 2 women.
ISBN 13: 9781772011487 | ISBN 10: N/A
5.5 W x 8.5 H inches | 128 pages
$18.95 CAN / $18.95 US
Drama | Backlist
QUOTES OF NOTE
"The play is packed with wit and humour, but also packs an emotional punch. At the heart of Crees in the Caribbean is a commentary on the universality of human experiences from culture to culture; it shows that people from all parts of the world can share similar stories and experiences."
— The Argus
About the ContributorsDrew Hayden Taylor
Hailed by the Montreal Gazette as one of Canada’s leading Native dramatists, Drew Hayden Taylor writes for the screen as well as the stage and contributes regularly to North American Native periodicals and national newspapers. His plays have garnered many prestigious awards, and his beguiling and perceptive storytelling style has enthralled audiences in Canada, the United States and Germany. One of his most established bodies of work includes what he calls the Blues Quartet, an ongoing, outrageous and often farcical examination of Native and non-Native stereotypes.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.