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Friday June 16, 2017 in Books
Coming Fall 2017
Wayside Sang concerns entwined migrations of Black-other diaspora coming to terms with fossil-fuel psyches in times of trauma and movement. This is a poetic account of economy travel on North American roadways, across the Peace and Ambassador bridges and through the Fleetway tunnel, above and beneath Great Lake rivers between nation states. Nicholson reimagines the trajectories of her birth father and his labour as it criss-crossed these borders in a study that engages the automobile object, its industry, roadways and hospitality, through and beyond the Great Lakes region.
Engaging a range of discursive fields to form the metrics of this project, she is interested in the intersection of various artistic practices and how being in relation to them can lend dimension to page- and textbased efforts. Consider Charles Campbell’s Transporter project, begun initially as a visual investigation of the phenomenon of forced migration, or Camille Turner’s various “sonic walks” which present narratives that explore the complexities of Black life in Canada amid a “landscape of forgetting” Black history, and Khari McClelland’s embrace of music as a “transportation device” uncovering the experiences of fugitive Blacks crossing into Canada.
This study is, in part, a matter of strengthening relations and being situated despite displacement. It is an effort to be relevant at a time of rebellion as Black networks, community, and aesthetics gain new qualities. The work is attentive to, entwined with, and influenced by Indigenous resurgence and poetics. It looks to Anishinaabeg, Haudenosaunee, and Attawandaron presence and histories – to Indigenous memory as a constant to land, as constitutive elements of Nicholson’s poetic practice.
This book was once in the fields and frequented bars. It rolls out of factories onto roads travelling north across the border and returning again to some understanding of home. In it are passengers and possessions – travelling musicians – memories of the Caribbean – brothers determined by border crossings – daughters reassembled.
ISBN 13: 9781772011821 | ISBN 10:
5.5 W x 8.5 H inches | 96 pages
$16.95 CAN / $16.95 US
Poetry | Frontlist
About the ContributorsCecily Nicholson
Cecily Nicholson is the administrator of the artist-run centre Gallery Gachet and has worked since 2000 in the Downtown Eastside neighbourhood of Vancouver. She collaborates with the Joint Effort prison abolitionist group and is the author of Triage (Talon, 2011) and From the Poplars (Talon, 2014), winner of the 2015 Dorothy Livesay prize for poetry.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.