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Phyllis Webb and the Common Good
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Sunday March 28, 2010 in Books

Phyllis Webb and the Common Good
Poetry / Anarchy / Abstraction

By Stephen Collis

Phyllis Webb is a poet around whom archetypes tend to cluster: the reclusive artist; the distraught, borderline suicidal Sapphic woman poet. While on the surface she seems someone supremely disinterested in the public sphere, argues Stephen Collis in this brilliant and revealing new celebration of her work, Webb is no domestic, as a creator or a critic. Her work sweeps into the wilds of politics, philosophy, economics and her slim books speak volumes. If there is a sense of abandoned projects hovering as ghosts on the margins of her books it is a purposeful abandonment, an anarchist’s abdication of positions of power and authority.

Webb’s work points steadily towards the idea that the poem is not a commodity to be hoarded, but a response-ability to be shared, an aspect of the commons and our “common good.” The gradual dissolution of the lyric I traceable over the course of her writing career mirrors both the development of avant-garde poetics across the century and the anarchist inflected notion of the poem as a common property —an effect of language (the commons) and not the self (the private).

In this sense Collis reads Webb’s poetry as it conjoins (and simultaneously diverges from) various twentieth-century literary movements and moments—it is this tension in her work which makes Webb a modernist whose writing nevertheless provides an opening into postmodernism. Her work constructs bridges across numerous conceptual divides: the (porous) boundaries between poetry and painting, poetry and politics, modernism and postmodernism, the lyric and the long poem, the ontologies of the self and the other.

The changes across decades of Webb’s writing, Collis argues, mirror changes in the approaches of the twentieth-century avant-garde to questions of responsibility and abstraction, locating her work in the Image-Nation of radical, philosophically engaged poetries that have flourished throughout twentieth-century North America.

ISBN 13: 9780889225596 | ISBN 10: 889225591
6 W x 9 H x 1 D inches | 224 pages
$24.95 CAN / $24.95 US
Rights: World
Backlist | Poetry | Bisac: LIT014000
1 Edition

QUOTES OF NOTE

“Collis is himself a poet and falls into that Canadian tradition of talented creative writers – Atwood, Lee, Ondaatje – that also write some of our finest criticism.”
Vallum Magazine

“As much about Webb as about the cultural and political milieu of her time, this book is necessary reading for anyone interested in Canadian poetry and the ethics of writing as criticism.”
Smaro Kamboureli

About the Contributors

Stephen Collis

Stephen Collis is the author of five books of poetry, including the Dorothy Livesay Poetry Prize winning On the Material (Talonbooks, 2010) and three parts of the on-going “Barricades Project”: Anarchive (New Star, 2005), The Commons (Talonbooks, 2008, 2014), and To the Barricades (Talonbooks, 2013). An activist and social critic, his writing on the Occupy movement is collected in Dispatches from the Occupation (Talonbooks, 2012).

[Once in Blockadia cover]
Once in Blockadia

Stephen Collis
Backlist

The Commons, Second Edition cover
The Commons

Stephen Collis
Poetry

To the Barricades cover
To the Barricades

Stephen Collis
Poetry

Dispatches from the Occupation
Dispatches from the Occupation

Stephen Collis
Non-Fiction

9780889226326sm
On the Material

Stephen Collis
Poetry

9780889225596sm
Phyllis Webb and the Common Good

Stephen Collis
Poetry


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