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Wednesday January 5, 2011 in Books
In the gold-rush era of the 1850s, the McKinnons settled on an island off the west coast of Canada, where the first thing they did was to turn this “wilderness” into an English country garden complete with vegetables, flowers, fruit trees and an elegant gazebo. After six generations, times and circumstances have changed, the family estate has been subdivided, the flowers have gone wild, the pear-tree has rotted and the heritage house has been carved up into a duplex, the property now divided in two by an ugly hedge.
The McKinnons now live in one side of the property, while the other has been sold to an immigrant family recently arrived from Turkey. The heirs apparent to both families, Day McKinnon and Leyla Zeki, fancy themselves to be sophisticated citizens of the world, tolerating with thinly disguised amusement their ancestors’ “outdated” formalities and rituals. So alienated are they that they spend much of their time only half-jokingly speaking of themselves in the third person. Yet Leyla recognizes something fundamental and mysterious in the vestiges of the old garden: its tumbled and overgrown ruins remind her of the Paradise Garden of Judeo-Christian/Islamic tradition—its layout in the four cardinal directions, its allusions to the seasons and the elements, and its walls that surround a place of secret love. For Day, however, despite, or perhaps because of the fact that he has discovered a long-buried family secret, “The problem with being born into paradise is: eventually you inherit it. There’s something to be said for the bedlam of hell. Heaven is a lot of upkeep.” Abandoning their families for their careers, they are reunited years later having discovered that love is not just something that happens to us, but something that we must build by hand in the wilderness of our lives.
ISBN 13: 9780889226586 | ISBN 10: 88922658X
5.5 W x 8.5 H inches | 128 pages
$17.95 CAN / $17.95 US
Backlist | Drama | Bisac: DRA013000
QUOTES OF NOTE
“Playwright and actor Lucia Frangione enters risky emotional territory in Paradise Garden.” — Georgia Straight
“ Paradise Garden challenges us to think about the predominance of individual modern human thinking and behaviour and the human spirit. The play is about bringing together communities and religions and intimate connections.” —reviewVancouver
“ Paradise Garden will take you up a curious sort of garden path, not in the rhetorical sense, but in a religious, proverbial, and certainly a passionate sense, into a modern day, inter-cultural Garden of Eden.” —Examiner.com
About the ContributorsLucia Frangione
Lucia Frangione is an internationally produced, award-winning playwright and actor residing in Vancouver. She has had twenty-eight plays produced, most recently including In a Blue Moon and Off Leash. She is published by Talonbooks and received training through Studio 58 and Rosebud School of the Arts.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.