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Sunday March 28, 2010 in Books
How does an “outsider” feminist read a contemporary Canadian literature that is profoundly inscribed with the contradictions of late 20th-century capitalism, nationalism and globalism, and with vigorous class, race, and gender struggles for access to power and representation? What does “literature” become when its own strategies variously place history, genre, legitimacy and literariness into question?
Through readings of such diverse Canadian writers as Dionne Brand, Alice Munro, Jacqueline Dumas, Frank Davey, Claire Harris, Michael Ondaatje, Elly Danica, Robert Kroetsch, Nourbese Philip, bpNichol, Beatrice Culleton, Margaret Atwood, Rose Dorion, George Bowering, Lola Lemire Tostevin and Daphne Marlatt, Outsider Notes offers tough-minded reappraisals of canonictiy, modernism, postmodernism, marginality, and postcoloniality, and opens a challenge to write and read “past the ideology of the nation state.”
ISBN 13: 9780889223639 | ISBN 10: 889223637
6 W x 9 H x 1 D inches | 320 pages
$24.95 CAN / $19.95 US
Backlist | Non-Fiction | Bisac: LIT003000
About the ContributorsLynette Hunter
Born at an airbase between Africa and Australia, educated in Canada, leading feminist theoretician Lynette Hunter now teaches 20th Century literature and culture in England at the University of Leeds. Her book, Outsider Notes (1996) is available from Talonbooks.Frank Davey
Born in Vancouver, Frank Davey attended the University of British Columbia where he was a co-founder of the avant-garde poetry magazine TISH. Since 1963, he has been the editor-publisher of the poetics journal Open Letter. In addition, he co-founded the world’s first on-line literary magazine, SwiftCurrent in 1984. Davey writes with a unique panache as he examines with humour and irony the ambiguous play of signs in contemporary culture, the popular stories that lie behind it, and the struggles between different identity-based groups in our globalizing society—racial, regional, gender-based, ethnic, economic—that drive this play.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.