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Wednesday March 31, 2010 in Books
How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short ï¬ction takes inspiration from LautrÃ©amontâ€™s decree that â€œplagiarism is necessary. It is implied in the idea of progress. It clasps the authorâ€™s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea.â€
Already early in the twentieth century, the modernist Ezra Pound asserted that poets should â€œmake it new,â€ and of course by â€œitâ€ he meant â€œthe traditionâ€: the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that â€œall mankind is of one author, and is one volume.â€
How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors donâ€™t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Laurence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the authorâ€™s home. Its title story is an exhaustive record of every incidence of the words â€œwriteâ€ or â€œwritesâ€ in forty different English-language texts picked aesthetically to represent a disparate number of genres.
With How to Write, beaulieu suggests writers and artists would be better served to â€œmake it reframed, make it borrowed, make it re-contextualized.â€ By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picassoâ€™s dictum that â€œGood artists copy. Great artists steal.â€
Read a selection from this book on Meta-Talon.
ISBN 13: 9780889226296 | ISBN 10: 889226296
4.25 W x 7 H inches | 72 pages
$16.95 CAN / $16.95 US
Backlist | Non-Fiction | Bisac: LAN005000
QUOTES OF NOTE
â€œIt is fitting that in How to Write beaulieu makes manifest a very old idea, one that concerns Northrop Frye in his essay â€œCanada and Its Poetryâ€ (1943): â€œOriginality is largely a matter of returning to origins.â€ Appearing new, How to Write suggests, is about new ways of discovering, and stealing from, those origins.â€
â€”The Bull Calf
W.O. Mitchell Literary Prize Finalist, 2010
About the Contributorsderek beaulieu
Author of four books of poetry and two volumes of conceptual fiction, derek beaulieu’s work is consistently praised as some of the most radical and challenging contemporary Canadian writing. beaulieu’s fractal economies (Talonbooks, 2006) includes a cogent and widely-discussed argument for poetry which works beyond conventional meaning-making, pushing the boundaries of syntax into graphic design, gesture and collaboration.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.