Email: info@talonbooks.com
Telephone: 604 444-4889
Outside Vancouver: 1 888 445-4176
Fax: 604 444-4119



Click here to join our monthly Talonbooks newsletter!
How to Write
Print Edition
Canadian Customers

$16.95 CDN

US & International Customers

$16.95 US

Payments processed by PayPal

Wednesday March 31, 2010 in Books

How to Write

By derek beaulieu

How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short fiction takes inspiration from Lautréamont’s decree that “plagiarism is necessary. It is implied in the idea of progress. It clasps the author’s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea.”

Already early in the twentieth century, the modernist Ezra Pound asserted that poets should “make it new,” and of course by “it” he meant “the tradition”: the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that “all mankind is of one author, and is one volume.”

How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors don’t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Laurence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the author’s home. Its title story is an exhaustive record of every incidence of the words “write” or “writes” in forty different English-language texts picked aesthetically to represent a disparate number of genres.

With How to Write, beaulieu suggests writers and artists would be better served to “make it reframed, make it borrowed, make it re-contextualized.” By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picasso’s dictum that “Good artists copy. Great artists steal.”

Read a selection from this book on Meta-Talon.

ISBN 13: 9780889226296 | ISBN 10: 889226296
4.25 W x 7 H inches | 72 pages
$16.95 CAN / $16.95 US
Rights: World
Backlist | Non-Fiction | Bisac: LAN005000


“It is fitting that in How to Write beaulieu makes manifest a very old idea, one that concerns Northrop Frye in his essay “Canada and Its Poetry” (1943): “Originality is largely a matter of returning to origins.” Appearing new, How to Write suggests, is about new ways of discovering, and stealing from, those origins.”
—The Bull Calf


W.O. Mitchell Literary Prize Finalist, 2010

About the Contributors

derek beaulieu

Author of four books of poetry and two volumes of conceptual fiction, derek beaulieu’s work is consistently praised as some of the most radical and challenging contemporary Canadian writing. beaulieu’s fractal economies (Talonbooks, 2006) includes a cogent and widely-discussed argument for poetry which works beyond conventional meaning-making, pushing the boundaries of syntax into graphic design, gesture and collaboration.

How to Write

derek beaulieu

fractal economies

derek beaulieu

Copyright Talonbooks 1963-2018



We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.

If you have any questions or comments about this website, contact the webmaster.