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Monday January 8, 2018 in Books
Checking In comprises a long poem and a series of other post-conceptual pieces â€“ concrete poems, homolinguistic translations, Yiddish aphorisms â€“ that offer exuberant commentary on the timelessness of digital information and our ravenous appetite for data and connection.
The title poem, composed as a series of faux social-media updates, is a parodic investigation of contemporary literary and pop culture. As a euphoric parade of â€œalternative factsâ€ or â€œfake news,â€ â€œChecking Inâ€ offers satiric comment on the state of American politics. Each ironically investigative line erupts as a self-reflexive mash-up, speaking to our seemingly insatiable desire for information while acknowledging how fraught that information can be.
The Internet is not only voyeuristic but a mirage. We seek fulfillment but enter an unsettling, uninhibited flow of information in which every data point refers to itself and reinforces a techno-capitalist culture. Checking In founds a site of radical, grafted linkages, codes, indices, ludic identities. An interdisciplinary and paradoxical repository of fragments, analyses, echoes, and provocations, (re)presented in a slippery ellipsis of contexts and possibilities, its poems are inter-subjective theatres of infinite re-framing. From Gargantua and Pantagruel listening to They Might Be Giants to bill bissett and Slavoj Å½iÅ¾ek Awake in the Red Desert of the Real, Checking In tours the shards of post-consumerist culture and reminds us we are living in a resonant present, where the past is always with us, and our icons, idols, and ideologies are posting, poking, sharing, and liking â€¦
Karasickâ€™s words luxuriate in the materiality of language and the production of meaning. She checks in with pop culture, media studies, semiotics, critical theory, feminist theory, and contemporary Canadian and American literature. The lover of language play, the poetry reader, and the academic alike will drink in this poet-performerâ€™s concoctions; as ever, theyâ€™re fun, smart, and topical.
With full-colour Vispo video stills by Jim Andrews (from the Vispo created to accompany Karasickâ€™s performance of this work; watch the video.)
ISBN 13: 9781772012002 | ISBN 10:
5.5 W x 8.5 H inches | 96 pages
$16.95 CAN / $16.95 US
Frontlist | Poetry
About the ContributorsAdeena Karasick
Adeena Karasick is a media artist, performer, cultural theorist, and the critically acclaimed author of seven books of poetry and poetic theory. She teaches Literature and Critical Theory for the Humanities and Media Studies Department at Pratt Institute in New York. Karasick is also co-founding Artistic Director of the KlezKanada Poetry Festival and Retreat. In 2017 the Adeena Karasick Archive was established at Simon Fraser University in Burnaby, British Columbia.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.