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Garry Thomas Morse has had two books of poetry published by LINEbooks, Transversals for Orpheus (2006) and Streams (2007), two collections of fiction, Death in Vancouver (2009) and Minor Episodes / Major Ruckus (2012), published by Talonbooks, and two books of poetry published by Talonbooks, After Jack (2010) and Discovery Passages (2011), finalist for the Governor General’s Award for Poetry and finalist for the Dorothy Livesay Poetry Prize, and also voted One of the Top Ten Poetry Collections of 2011 by The Globe and Mail and One of the Best Ten Aboriginal Books from the past decade by CBC’s 8th Fire.
Grounded in the work of Arthur Rimbaud, Robert Desnos, Ezra Pound, Jack Spicer, Rainer Maria Rilke and his Native oral traditions, Morse’s work continues to appear in a variety of publications and is studied at various Canadian universities, including UBC. He is the recipient of the 2008 City of Vancouver Mayor’s Arts Award for Emerging Artist and has twice been selected as runner-up for the Robert Kroetsch Award for Innovative Poetry.
His upcoming book of fiction is Rogue Cells / Carbon Harbour, which resumes The Chaos! Quincunx series.
January 2013 : The Gary & Garry Act
October 2012 : Stranger Than Fiction?
September 2012 : Fall into Surreal Instanter!
September 2012 : Poems for an Oil-Free Coast
September 2012 : Aguirre, Fischman, and Morse are at the Eden Mills Writers' Festival
March 2012 : Zsuzsi Gartner on Studio 4 with Fanny Kiefer
March 2012 : Shortlists for 2012 B.C. Book Prizes Announced!
December 2011 : Support Your Indie Bookshop This Sunday!
December 2011 : Talonbooks Presents Karl and Christy Siegler's Farewell Bash
October 2011 : B.C. and the GGs in 2011
September 2011 : 100 Thousand Poets for Change: Vancouver, BC
September 2011 : Word on the Street Vancouver, 2011
August 2011 : Poetry is Dead: Chain Letters to the City of Vancouver
June 2011 : Bring it Home, Vancouver!
April 2011 : Garry Thomas Morse at the Anza Club
April 2011 : Weather-Permitting, Poetry is in Bloom in BC!
April 2011 : Vancouver Is...The Place to Be!
April 2011 : Garry Thomas Morse reads from After Jack at SFU
December 2010 : Poetry Quebec: The Artie Gold Issue
December 2010 : Make That What: time and Artie Gold Launched in Vancouver
November 2010 : Garry Thomas Morse Reads Artie Gold in Vancouver
September 2010 : Invitation to the Future
Governor General’s Poetry Award finalist (2011), Discovery Passages
BC Book Prize finalist (2012): Dorothy Livesay Poetry Prize, Discovery Passages
BOOK AWARDSDiscovery Passages
Finalist for the 2011 Governor General’s Literary Award for Poetry
Finalist for the 2012 BC Book Prize: Dorothy Livesay Poetry Prize
One of the Top Ten Poetry Collections of 2011 (Globe and Mail)
One of the Best Ten Aboriginal Books from the past decade (2012, CBC – 8th Fire).”
QUOTES OF NOTERogue Cells / Carbon Harbour
“A vision of life with the liminal and the interstitial excised; our lives if we lived inside the current media representation of our lives … hilarious and bizarre … In Rogue Cells / Carbon Harbour, Garry Thomas Morse has created something new, and we should celebrate it.”
“Rogue Cells / Carbon Harbour provides two books in one, beginning with a satiric parody, romping across Native American territory to skewer a breadth of contemporary idiocracies as they emerge from celebrity narcissism, bizarre cult fervor, fundamentalist zealotry, and rampant paranoia over terrorism. Fun for the whole family! Meet you in the alleyway, George Orwell! There is no escape clause as we pursue the Ignoble Prize during a dystopian eco-meltdown, replete with alien life-forms, brazen mineral exploitation, extreme bio-harvesting, and luxuriously decadent contamination junkies, hustling us through a disintegration dance, during the Age of Aquarium. Unrepentant and unremitting pandemonium! An outrageous tour de farce! Read it! Be moved by Morse!”
– Karl Jirgens, Editor, Rampike magazine
“Carbon Harbour is an outrageous romp – wickedly inventive, clever as well as wise, deliciously satirical and steamier than sex and vegetables. Crackling with neologisms, sly elisions and provocative infelicities, it’s a meteoric fable of a future in which unhinged gardeners and gourmands should be particularly pleasured.”
– Des Kennedy, author of Climbing Patrick‘s Mountain
QUOTES OF NOTEMinor Episodes / Major Ruckus
“ Minor Episodes / Major Ruckus is a wonder. Garry Thomas Morse most certainly has Salvador Dalí, Miguel de Cervantes, André Breton, and that rude rocker Gargantua, courtesy of Rabelais, in his corner. His novel, with its themes of sex, money, and intrigue, and with its over-current of hilarity running amok, explodes from the page. To say this novel is on steroids is to downplay things. A careening, giddy ride is ahead, a mad word-dash to realities you’ve never even dreamed of. Transportation guaranteed!”
– M.A.C. Farrant, author, creator of My Turquoise Years
“Like a beguiling house of mirrors, Minor Episodes bends, twists, fractures and deforms reality through phantasmagoric visions, orgiastic inventions and a mischievous use of language. Don’t be deceived by its title: there is nothing minor about this major accomplishment.”
– Martine Desjardins, author of Maleficium
“Here are Bébé Cadum with his enormous smiling visage and Corsair Sanglot in their returning personages Bébé Lala and Signor Minor cavorting over the baroquely surrealist pages of these major Minor Episodes … our beloved Robert Desnos would have chortled in delight: so do we.”
– Mary Ann Caws, author of The Surrealist Look: An Erotics of Encounter
“The real reaction would be screaming catatonia, and too many authors would go too far into the alternative and just effuse us to death Pynchonian; but here the characters are true denizens of their milieu, something rarer in fiction than it might initially appear, and give us the reactions of, like, really arch action heroes. Oh! It’s camp! And Minor is an antivillain for our times who puts the Baudribbles and drabbles in DeLillo’s Cosmopolis to shame.”
– Martin McCarvill (LibraryThing)
QUOTES OF NOTEDiscovery Passages
“Discovery Passages..a finalist for the Governor-General’s Award in 2011, and rightly so: It is a striking, radical work, one that presages Idle No More, for these poems explore the contest between settler-state culture and language and the attempts of First Nations to preserve their own traditions..[t]hese poems are smart, masterful, necessary.”
— The Chronicle Herald
“Like Wayde Compton’s 49th Parallel Psalm (1999) and Rita Wong’s forage (2007), Discovery Passages both extends and revises a literary history of the West Coast. Morse challenges the official historical record while indicating with poetic form his connection to a regional tradition of avant-garde poetics represented by Spicer, Robert Duncan, and Robin Blaser, especially, but also by Bowering, Daphne Marlatt, Meredith Quartermain, Lisa Robertson, and others.”
— The Goose
“This is a rich and varied book, combining poetic lyric with elements of visual, sound, concrete and documentary poetry..Morse enacts a very real forensic case in this book, deftly gathering and presenting the evidence of crimes against the Kwakwaka’wakw people and their language and culture.”
— The Globe and Mail
“In an effort to assimilate the Kwakwaka’wakw peoples, the government of Canada passed a law in 1885 banning the potlatch custom, and much of Morse’s volume is dedicated to articulating the impact of this offence on the identity of his ancestors..[t]o Morse, I give an award for reclaiming a lost history, and for completing the journey from loss to articulation to poetry.”
— The Montreal Gazette
“With Discovery Passages Garry Thomas Morse has remained true to what U.S. poet Gary Snyder has called the work of poetry: seriousness, commitment to craft, and no bulls—-, no backing away from any of the challenges that are offered to you.”
— The Vancouver Sun
“Morse is a master of tonal balance, a virtuoso composer with an ear for epic contrast, and a poet of complexly binary intertexts for whom an envoi leads to no single destination.”
— Canadian Literature
“ Discovery Passages is far too rich a mélange to be fully appreciated in a single reading. A super kind of bricolage, it’s a cornucopia of gifts from Garry Thomas Morse’s personal potlatch that readers will accept with deep gratitude.”
— Eclectic Ruckus
“ Discovery Passages is a vital cross-cultural work, urgent in both its anger and its celebration. Morse’s supple voice lifts off the page while the stripped-down quotes in the documentary poem are presented in all their damning evidence, no further comment necessary. His longer poem ‘Wak’es’ with its literary echoes, is the most ironically intelligent statement I’ve read on cultural theft.”
— Daphne Marlatt
“Take Garry Thomas Morse’s Discovery Passages, for example. For the poet, the book represents a kind of breakthrough; but, his work has been on my radar for so long, I cannot imagine our poetry without it; and, sans façon, I believe we are all richer for its existence.”
— Judith Fitzgerald
“Adept, stunning, startling, and necessary, Discovery Passages performs an uncanny operation on the archives, reactivating some stories and decommissioning others so that we can breathe more fully today. This poetic excavation of the injustice inflicted on the Kwakwaka’wakw people is insightful, tender, and brutal in its scope. Here, "language is, portaging across/ global debris…" – gleaning the trash of history to make poetry that takes back what was stolen from Morse’s ancestors. This book includes the funniest dressing down of Duncan Campbell Scott I have ever read, snatching dignity away from colonial thieves and restoring it back into the communities where it belongs.”
— Rita Wong
“These are passages planked by images of island life. Waves of words spoken by elders flood the poems, which crash into excerpts of Indian Affairs policies and paternalistic state documents. There are 500 years and 500 lines of unspeakable anguish but there is also a knowing, smiling resistance. Morse’s words are rhythmic as wild salmon, departing to explore a wider ocean but always coming back home.”
— Russell Wallace
QUOTES OF NOTEAfter Jack
"In After Jack, Morse has stepped firmly onto the ground occupied by George Bowering’s Kerrisdale Elegies, where translation crosses boundaries of space, time, culture, and language, laying the common property of the poem bare―and gasping for air. Take a deep breath. Now dive back in."
— Stephen Collis
"After Jack is rich in imaginings—and in realities of Lorca-memories and in shimmerings and reflections of the grail."
— Michael McClure
"Morse’s words are cutting. He ravages language, but thankfully maintains a subtle humour throughout. This book is a love story between Jack Spicer, Garry Thomas Morse, language, and you."
"Far too clever for its own good, After Jack is a large rabbit-eared radio, indeed."
QUOTES OF NOTEDeath in Vancouver
"Admirers of James Joyce, Malcolm Lowry, and Thomas Mann’s Death in Venice will be intrigued by Garry Thomas Morse’s strong collection of stories entitled Death in Vancouver. Though often exhibiting echoes of the great masters, these stories are certainly new, anchored solidly in the author’s West Coast world. In the title story, especially, the author has built an original tale vibrating with strong reverberations of the Mann novella and making use of locations that found their way into Lowry’s writing. Despite its roots in giant works of the past century it reads as authentically new, thanks in part to that obviously contemporary narrating "street voice" — combined with subtle First Nations references. It is a reminder that we all live in a world that has been created by those who came before us and who are, in some way, still with us."
— Jack Hodgins
"Garry Thomas Morse is an extraordinarily talented writer, and his Death in Vancouver is nothing less than a stunning accomplishment. It is work of prodigious erudition and imaginative daring, and it brings vividly to life (and death) the entangled narratives and sonantic richness of the global city."
— David Chariandy
"Death in Vancouver, a selection of short prose bits with crazy compelling characters, tight, precise and breathtaking language and imagery and opera! I am enthralled by its originality. His writing reminds me of John Lavery’s work; they both are adept at linguistic "acrobatics" and are skilled in painting memorable and unusual characters."
— Amanda Earl
"In Death in Vancouver, the story ‘Salt Chip Boy’ is very fine and intriguing, with the severe Baudrillard disconnect between mind and body, the cyber push in the direction of William Gibson and beyond, the cheeky use of ‘K’ which holds a whiff of Kafka, and the language which makes one feel as if they’ve stumbled (with satisfaction) into times far hence."
— M.A.C. Farrant
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.