Entering TimeFront Cover

ISBN: 9781772010398 | paperback / softback

$19.95 | 196 pages | Pub. Date: 2017
5.5 W × 8.5 H × .315 D inches
Non-Fiction | Backlist | Bisac: SOC001000
ISBN 13: 9781772010398 | Rights: WORLD

Entering Time
The Fungus Man Platters of Charles Edenshaw
By Colin Browne

During the groundbreaking Charles Edenshaw exhibition at the Vancouver Art Gallery in 2013, poet Colin Browne found himself returning often to study three large argillite platters carved by the Haida master in the late 1800s. Produced several years apart, each depicts an identical scene at the same moment: two frightened figures in a canoe appear to be on a mission. One is the Raven, in supernatural form, brandishing a spear; the other, in the stern, is a human-like figure with a circular head. On one platter he holds a paddle; on the other, two his arms are raised in a state of panic. He is the helmsman, known as Fungus, or Fungus Man, or Biscuit Man.

The Raven and Fungus Man appear early on in the Haida epic poem "Raven Travelling," not long after the Raven releases human men from a clamshell. Their mission is to enable men and women to go forth and multiply. The three platters, celebrated not only for their craftsmanship but also for their insight into the psyche, are rarely brought together in one place, and the fact that Edenshaw returned, with a sense of humour, to this primal scene, suggests that the theme was as important to him as it was to his contemporary, Sigmund Freud.

Browne launches his unexpected journey of discovery with a simple question: "Who was Fungus, or Fungus Man, and why did he become the one responsible for the miracle of human procreation?" Every good story is an origin story — and a mystery story — and in Entering Time: The Fungus Man Platters of Charles Edenshaw, Browne ranges through the fields of art history, literature, ethnology, and myth to discover a parallel history of modernism within one of the world’s most subtle and sophisticated artistic and literary cultures.

The text is supplemented by an interview with visual artist Neil Campbell whose recent paintings speak to Fungus Man’s art-historical echoes and contemporary relevance.

By Colin Browne

Sophie Bienvenu is a Québécois writer. After studying visual communication in Paris, she settled in Quebec in 2001 and quickly established herself as a successful blogger. Et au pire, on se mariera (La Mèche) her first novel, was followed by Chercher Sam (translation forthcoming from Talonbooks, 2019), and Autour d’elle, translated as Around Her by Rhonda Mullins (Talonbooks, 2018). Ceci n’est pas de l’amour (This Is Not Love) was her first poetry collection, published in 2016 by Poètes de brousse. Bienvenu’s writing takes its readers on an emotional journey, an intense exploration of profoundly human characters, transforming the ordinary into the extraordinary.

Read more about Colin Browne


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news | 2017-01-06
Enter Time with Colin Browne and Charles Edenshaw

…Our newest arrival is Colin Browne’s Entering Time: The Fungus Man Platters of Charles Edenshaw, an … and literary cultures. Read selections from Entering Time on Meta-Talon, and order your copy for $19.95. …


news | 2016-07-04
Fall 2016 previews!

…watch for Colin Browne’s new book of essays, Entering Time: The Fungus Man Platters of Charles Edenshaw . … is an origin story — and a mystery story — and in Entering Time, Browne ranges through the fields of art history, …