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National Poetry Month has been quite thrilling for Talonbooks.
First, we were notified that three of our poetry books were nominated in the same category for a BC Book Prize, Ken Belford for Decompositions, George Bowering for My Darling Nellie Grey, and Stephen Collis for On the Material.

(Stephen, Gina, and Gary – All Aboard for Terrace!)
Then the Northern Leg 2011 Book Tour kicked off, with Gina McMurchy-Barber, Gary Kent, and Stephen Collis starting in Terrace and also visiting Prince Rupert, Prince George, Quesnel, Smithers, and Kitimat.

(George Bowering accepting his award for literary excellence. Photo credit: Emily Megan)
And on the verge of setting off for the Okanagan Leg 2011 Book Tour, it was announced that George Bowering was the winner of the Lieutenant Governor’s Award for Literary Excellence.

(Derek, George, and Julie, shooting the breeze in Salmon Arm)
Bowering went on to join Julie Flett and Derek Lundy, starting in Kamloops, and also visiting Salmon Arm, Kelowna, Vernon, Penticton, and Oliver.

(Stephen Collis at Books & Company in Prince George)
Then, we were delighted by the announcement that Stephen Collis had won the Dorothy Livesay Prize for Poetry for On the Material!

(Stephen Collis accepting his BC Book Prize. Photo credit: Emily Megan)
To round out the month, we reconvened at the Anza Club with Arsenal Pulp Press for our Triple Threat Book Launch. And the city was abuzz…for poetry! While hockey fans cheered on the Canucks in Game 7 of the first round downstairs, excited poemfans packed into the upstairs space to hear Proma Tagore, Cecily Nicholson, and Garry Thomas Morse read new poetry from their respective books, language is not the only thing that breaks, Triage, and Discovery Passages.
There will be more details to follow about our Vancouver launch, but this is an excellent time to thank the city and the province and the nation for its intense support of poetry!

Canada: Home to a Dangerous Industry
By Fred A. Reed & Robin Philpot

Alain Deneault and William Sacher wrote Imperial Canada Inc.: Legal Haven of Choice for the World’s Mining Companies (2012) to provide Canadian and international public opinion with tools to help ask critical questions about Canadian activities in the South and in Eastern Europe, as well as about the role of the Canadian government in relation to these activities. It is hoped that the evidence presented here will encourage Canadians to enter public debate about how the mining industry is regulated in Canada and to form an opinion on this topic independent from the one suggested by official agencies or media that belong to large Canadian financial conglomerates and tend to espouse their interests.
Monday June 10, 2013 in Meta-Talon
For the Pleasure of Seeing Her Again, a play by Michel Tremblay, is currently being staged at the National Arts Centre (N.A.C.) in Ottawa, Ontario, as part of the Magnetic North Theatre Festival.

The following are excerpts from two reviews of the show, originally published in the Ottawa Citizen on June 3 and June 8, 2013, written by Patrick Langston.
Friday June 7, 2013 in Meta-TalonDrew Hayden Taylor’s Political Persuasions
Award-winning Ojibwa author and playwright Drew Hayden Taylor (Dead White Writer on the Floor, 2011) writes the occasional column for the Peterborough Examiner in Peterborough, Ontario. In his latest column, available in its original form here, he discusses his approach to storytelling and politics.

As a First Nations writer of fiction and non-fiction, and frequent lecturer on the university/college and conference circuit, I am commonly asked about my political persuasion. Do I swing left, right, or am I more ambidextrous?
Wednesday June 5, 2013 in Meta-Talon
The June 2013 issue of Quill & Quire includes a review of Daphne Marlatt’s latest book of poetry, Liquidities (Talonbooks, 2013). We republish this review here with permission from Quill & Quire.

Liquidities: Vancouver Poems Then and Now extends a project Daphne Marlatt began over 40 years ago with the 1972 publication of Vancouver Poems …
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.