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Six excellent new books launched last evening to an audience of about 110 people at Pyatt Hall in Vancouver’s downtown School of Music. What a perfect way to celebrate National Poetry Month! After a brief welcome from Kevin Williams, Talon’s publisher, we launched into readings.
Top: the audience mingles in Pyatt Hall; Bottom, L–R: Kevin Williams, Sachiko Murakami, Jordan Abel, and a projection by Oana Avasilichioaei
Jónína Kirton reads from page as bone – ink as blood
Our first reader, Jónína Kirton, claimed she was anxious, but we’re skeptical; she read beautifully from her first collection of poetry, page as bone – ink as blood ($16.95). Among other poems, Kirton read “What Do Frida Kahlo and My Mother Have in Common?” (from page 20), “Something and Nothing” (page 28), and “Manitou Lake” (pages 58–9).
Jordan Abel, rather more frightening than usual, in his mask in front of projected spreads from Un/inhabited
Jordan Abel, the second reader, advised the audience to approach his latest book, Un/inhabited ($24.95), as they might a map: rather than trying to read it from front to back, one should choose a path and follow it; one should feel free to meander through the text, identifying landmarks, passing recognizable features, possibly going in circles, eventually finding a destination. For his reading, Abel donned a remarkable mask of his own making, lit up in green and resembling depictions of an animal. He performed pieces of his text, layering them upon one another with his trusty loop station, against a backdrop of projections of spreads from Un/inhabited. In the words of one audience member, “poetry readings need more scary masks and looping machines.”
Oana Avasilichioaei onstage with her projections
Oana Avasilichioaei at her loop station, with theramin
Oana Avasilichioaei rounded out the first part of the evening with an atmospheric audio-visual rendering of some of the poems in her new collection, Limbinal ($19.95). Also using a loop station, as well as a theramin, Avasilichioaei’s poems (and poems in translation by Paul Celan) were represented by an unforgettable series of videos by which the poems were rendered in 3D, as lines moving hauntingly in a variety patterns and oscillations. Avasilichioaei’s multi-lingual presentation was the perfect way to end the first part; everyone broke for wine and refreshments with much to talk about.
The second part of the evening opened with a reading by Sachiko Murakami, whose new book, Get Me Out of Here ($16.95), is garnering some attention on social media – not surprising, given that the lines that inspired the poems in this book were crowd-sourced. Murakami selected to read poems that centered on YVR – Vancouver’s international airport. Impressive in their form, but also accessible to new readers of poetry, Murakami’s poems pleased the crowd. And how fitting that Murakami flew in from Toronto for this reading, necessarily making a pilgrimage to YVR just before the launch of her airport-centric book.
Sachiko Murakami reads from Get Me Out of Here
Meredith Quartermain followed next, amusing and delighting the audience with her ode to earthworms, found on pages 13–4 of I, Bartleby ($14.95). Her next, more solemn piece honoured Vancouver writers Malcolm Lowry and Margerie Bonner. We are honoured that Quartermain, with her crisp words and brilliant mind, has joined the Talon list.
Meredith Quartermain on stage at Pyatt Hall
Meredith Quartermain reads from I, Bartleby
The finale of the evening was a simple, elegant reading by the wonderful Colin Browne, who read from his new collection, The Hatch ($19.95). Some pieces thoughtful, others tongue-tripping, all weighty. Browne ended the evening by reading from a poem in progress – “it’s always good to read something new.”
Colin Browne reads from The Hatch
We heartily thank everyone who joined us at this launch, which was possibly the most successful poetry launch in Talon’s history! We also thank our friends at the Paper Hound Bookshop for running the book table at which a staggering number of books were sold. Beautiful new books, diverse and highly engaging readers, and lively conversations during the breaks – it all added up to a wonderful evening.
From 1988 until the end of 2016, Salt-Water Moon was in print with its original yellow cover, which featured now-outdated type design and a production still from one of the original productions of this sweet play. Now, as the play experiences something of a revival, and as the book goes into its eighth printing, we are pleased to show off the newly redesigned cover of Salt-Water Moon.Tuesday September 26, 2017 in Meta-Talon
From Oral to Written is a study of Native literature published in Canada between 1980 and 2010, a catalogue of amazing books that sparked the embers of a dormant voice. Leading Aboriginal author Tomson Highway surveys the first wave of Native writers published in Canada, highlighting the most gifted authors and the best stories they have told, offering non-Native readers access to reconciliation and understanding, and at the same time engendering among Native readers pride in a stellar body of work. On Meta-Talon, read a selection from Highway’s prologue.Thursday August 10, 2017 in Meta-Talon
August 12 is Buy a Quebec Book Day – and have we got books for you! Browse our list of 12 august and recently published Quebec books – any of which we would, of course, recommend. Read the list, and then get out to your local bookstore this Saturday and show la belle province some literary love!Friday June 23, 2017 in Meta-Talon
The Gorge: Selected Writing by Nancy Shaw launched in April, 2017 at the Western Front in Vancouver. To launch Shaw’s book, published posthumously, editor Catriona Strang read from The Gorge, and then this video was played to a rapt audience. In the video, you’ll hear the voice of Nancy Shaw, reading poems from her book Cold Trip (2006; co-authored with Catriona Strang).
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.