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Two strong reviews of Talon poetry were published last week; if you haven’t seen them yet, they are worth a read. Nathaniel G. Moore of Rabble.ca responded to the clarion call within Cecily Nicholson’s From the Poplars, and Lee Norton for the Ethos Review immersed himself in the contractions and contradictions of Nikki Reimer’s DOWNVERSE. From the former, a highlight:
From the Poplars is a compelling blend of poetic research, personal infusion and historical subjectivity while remaining urgent and insightful. It’s a call to arms for environmental consciousness, and a text monument of loss and shame.
August 12 is Buy a Quebec Book Day – and have we got books for you! Browse our list of 12 august and recently published Quebec books – any of which we would, of course, recommend. Read the list, and then get out to your local bookstore this Saturday and show la belle province some literary love!Friday June 23, 2017 in Meta-Talon
The Gorge: Selected Writing by Nancy Shaw launched in April, 2017 at the Western Front in Vancouver. To launch Shaw’s book, published posthumously, editor Catriona Strang read from The Gorge, and then this video was played to a rapt audience. In the video, you’ll hear the voice of Nancy Shaw, reading poems from her book Cold Trip (2006; co-authored with Catriona Strang).Tuesday April 18, 2017 in Meta-Talon
By R. Kolewe
Inspecting Nostalgia is a new collection of poetry by R. Kolewe. This, his second collection, brings together found text and fragments of various writers’ work with scraps from his own journals.
In this third week of National Poetry Month 2017, and in advance of Kolewe’s Toronto launch on May 8, please enjoy two poems from the collection on Meta-Talon.Thursday April 13, 2017 in Meta-Talon
Stephen Collis’s latest collection of poetry is nominated for the 2017 George Ryga Award for Social Awareness in Literature. It rethinks the relationship between human beings and the natural world and searches for ways we can continue to resist. Today on Meta-Talon, we offer a section from “Reading Wordsworth in the Tar Sands,” the second long poem in Once in Blockadia.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.