An audience of about 80 people assembled in Vancouver a week ago, on October 29, wine and cheese in hand, for the launch of Scree: The Collected Earlier Poems, 1962â€”1991 by Fred Wah, which collects 13 out-of-print or rare books and chapbooks by this former Poet Laureate of Canada.
First, the bookâ€™s substantive editor, poet-scholar Jeff Derksen, introduced Scree and the set of readers for the evening. (His introduction was rated 10/10 by a member of the Vancouver poetry community â€“Â and we agree!)
Fred Wah discusses Scree at its launch
Scree rests on the podium â€“ possibly the very same Western Front podium from which Wah read in 1974
The readers sat up front in the audience of more than 80 people. (Lâ€“R: Ryan Fitzpatrick, Daphne Marlatt, Roy Miki, then Jeff Derksen, Karl Siegler, and Stan Persky
A number of literary luminaries read Wahâ€™s work: Colin Browne read from Grasp the Sparrowâ€™s Tail; Ryan Fitzpatrick read from Owners Manual; Deanna Fong read from Grasp the Sparrowâ€™s Tail_; Larissa Lai read from Waiting for Saskatchewan; Daphne Marlatt read from Breathinâ€™ My Name with a Sigh; Roy Miki read from Owners Manual and So Far; Stan Persky read from Tree; Karl Siegler read from Loki Is Buried at Smoky Creek (the Selected poems â€” part of a group of poems that later became Owners Manual); and Rita Wong read from Breathinâ€™ My Name with a Sigh.
Karl Siegler, retired publisher of Talonbooks, observed that the publication of Scree and last yearâ€™s Peacock Blue represented a continuance, or a second incarnation, of Talonâ€™s 1980s project of publishing a series of Selected works by Canadian poets (including Wah and Webb). It is, we agree, heartening to see the tradition alive.
In the second half of the evening, the audience was treated to a few minutes of footage of a younger Wah reading his work, taken in 1974, also at the Western Front (possibly even with the very same podium Wah was using in 2015!). Wah himself then read the final poem of the book.
Wah reads from Scree
Jeff Derksen, editor of Scree and emcee of the launch
Kevin Williams, publisher at Talonbooks, thanks all who worked on Scree while, in the background, one book cover transitions into another on the screen
Scree is such a satisfyingly weighty tome
Wah also made a point of thanking managing editor Greg Gibson, formerly of Talonbooks, and designer Les Smith for their very hard work, and for the fruit it bore. The hardcover edition of Scree is now available ($49.95). The softcover edition will be available in Fall 2016.
All told, it was a wonderful, memorable evening.
Plus, great news! The whole event was captured on video, and we are very pleased to share the high-quality, full-length footage with you now.
On Meta-Talon today, please enjoy the full text of the presentation given by Carl Peters at the Modern Languages Association convention in New York City on January 7, 2018. This talk responds to the question posed in the MLA convention session Rhetoric in Post-Factual Times: how to perform textual analysis in a time when facts are no longer the marker of good argumentation. (Petersâ€™s talk is also related to his work on Stein; Peters is recently the author of Studies in Description: Reading Gertrude Steinâ€™s Tender Buttons.)
Our little end-of-year present to you is a miniature from M.A.C. Farrantâ€™s delightful collection of very short stories, The World Afloat. Happy Holidays from Talonbooks!
Our Spiritual Lives
Weâ€™ve seen stains on tea towels that look like Jesus Christâ€™s face so we know he exists. And we know that dried seaweed can save the Douglas fir from extinction so we hang dried seaweed from the treeâ€™s branches.
A finalist for the 2006 Governor Generalâ€™s Literary Award for Drama, In a World Created by a Drunken God has been in steady demand since it was first published 11 years ago. From 2006 until the end of 2017, In a World Created by a Drunken God was in print with its original cover, which showed moving boxes and a flip phone. Now, Talonbooks has reprinted In a World Created by a Drunken God for the fourth time, and it wears a dynamic, new cover â€¦
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