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In advance of Sachiko Murakami’s forthcoming collection of poetry, Get Me Out of Here (Spring 2015), a review of her previous book, Rebuild, has just been published in The Fiddlehead. The reviewer, Allison LaSorda, calls Rebuild
a unique and thoughtfully crafted book. … In her varied constructions, Murakami replicates the idea of physical building and demolishing – adding a line to represent a floor or storey, replacing or rearranging letters within words — which achieves a feeling of odd familiarity and yet, a feeling of displacement; I imagine this effect walking down a known city street and being overwhelmed with a sense of alienation – the rapid turnover of rental units and sudden crop-ups of condos and monster-mansions serving as inspirations to many of her pieces.
Read the full review on pages 109–11 of the Winter 2015 issue of The Fiddlehead magazine (no. 262).
Also see this excellent interview of Murakami, published today on Jacket2, in which she elucidates the processes involved in the creation of Rebuild and give some insight into her latest project, Get Me Out of Here:
I’m more and more interested in collaboration and community-built writing. My new book, Get Me Out Of Here, consists of poems entirely written in response to observations other people made in airports. I had tried to write a book about airports, you see, as I was travelling a lot in 2012–13, but whenever I got into an airport I immediately spent the entire time waiting to leave – and forgot to look up and around and gather inspiration like a good poet. So I outsourced my inspiration. I made an open call on the Internet via social media and asked people to send me what they observed in airports. I spent the next few years writing poems in response to each observation. That was tougher than I thought it would be, but it was a very pleasant challenge. After writing a poem, I’d invite the observer in as an editor to further the collaboration. Then of course there were the usual collaborations in the course of writing a book: feedback from friends … , feedback from my editor Stephen Collis, and then Greg Gibson and Ann-Marie Metten went above and beyond copyediting the book at Talon. So the book that resulted is very much the result of collaboration.
Read more in the full interview online, and watch for Get Me Out of Here in April 2015.
To celebrate International Women’s Day, we asked our staff to recommend favourite Talon books that they felt contributed to the advancement of women and to the feminist literary canon.Tuesday February 6, 2018 in Meta-Talon
By Carl Peters
On Meta-Talon today, please enjoy the full text of the presentation given by Carl Peters at the Modern Languages Association convention in New York City on January 7, 2018. This talk responds to the question posed in the MLA convention session Rhetoric in Post-Factual Times: how to perform textual analysis in a time when facts are no longer the marker of good argumentation. (Peters’s talk is also related to his work on Stein; Peters is recently the author of Studies in Description: Reading Gertrude Stein’s Tender Buttons.)Thursday December 21, 2017 in Meta-Talon
Our little end-of-year present to you is a miniature from M.A.C. Farrant’s delightful collection of very short stories, The World Afloat. Happy Holidays from Talonbooks!
Our Spiritual Lives
We’ve seen stains on tea towels that look like Jesus Christ’s face so we know he exists. And we know that dried seaweed can save the Douglas fir from extinction so we hang dried seaweed from the tree’s branches.Tuesday December 5, 2017 in Meta-Talon
A finalist for the 2006 Governor General’s Literary Award for Drama, In a World Created by a Drunken God has been in steady demand since it was first published 11 years ago. From 2006 until the end of 2017, In a World Created by a Drunken God was in print with its original cover, which showed moving boxes and a flip phone. Now, Talonbooks has reprinted In a World Created by a Drunken God for the fourth time, and it wears a dynamic, new cover …
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.