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RECENT RELEASES

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June 2017

Wednesday June 7, 2017
Reading: Jordan Abel at the 2017 Griffin Poetry Prize shortlist readings

Thursday June 8, 2017
Poetry reading: R. Kolewe with Tara-Michelle Ziniuk and Sarah Pinder, Toronto

Saturday June 10, 2017
Panel Discussion with High Muck a Muck Artists (Fred Wah) at the Surrey Art Gallery (BC)

July 2017

Thursday July 6, 2017
Play: “Hosanna” at the Centaur Theatre, Montreal

September 2017

Friday September 22, 2017
Sidney Literary Festival, featuring M.A.C. Farrant

October 2017

Thursday October 26, 2017
Play: "Only Drunks and Children" at the Magnus Theatre in Thunderbay, ON

November 2017

Friday November 3, 2017
Stephen Collis at the Festival of Readers (St. Catharines, ON)

January 2018

Tuesday January 16, 2018
Play: Empire of the Son at Alberta Theatre (Alberta, AB
Posted: Monday March 16, 2015
Rebuild and then Get Out

In advance of Sachiko Murakami’s forthcoming collection of poetry, Get Me Out of Here (Spring 2015), a review of her previous book, Rebuild, has just been published in The Fiddlehead. The reviewer, Allison LaSorda, calls Rebuild

a unique and thoughtfully crafted book. … In her varied constructions, Murakami replicates the idea of physical building and demolishing – adding a line to represent a floor or storey, replacing or rearranging letters within words — which achieves a feeling of odd familiarity and yet, a feeling of displacement; I imagine this effect walking down a known city street and being overwhelmed with a sense of alienation – the rapid turnover of rental units and sudden crop-ups of condos and monster-mansions serving as inspirations to many of her pieces.

Read the full review on pages 109–11 of the Winter 2015 issue of The Fiddlehead magazine (no. 262).

Also see this excellent interview of Murakami, published today on Jacket2, in which she elucidates the processes involved in the creation of Rebuild and give some insight into her latest project, Get Me Out of Here:

I’m more and more interested in collaboration and community-built writing. My new book, Get Me Out Of Here, consists of poems entirely written in response to observations other people made in airports. I had tried to write a book about airports, you see, as I was travelling a lot in 2012–13, but whenever I got into an airport I immediately spent the entire time waiting to leave – and forgot to look up and around and gather inspiration like a good poet. So I outsourced my inspiration. I made an open call on the Internet via social media and asked people to send me what they observed in airports. I spent the next few years writing poems in response to each observation. That was tougher than I thought it would be, but it was a very pleasant challenge. After writing a poem, I’d invite the observer in as an editor to further the collaboration. Then of course there were the usual collaborations in the course of writing a book: feedback from friends … , feedback from my editor Stephen Collis, and then Greg Gibson and Ann-Marie Metten went above and beyond copyediting the book at Talon. So the book that resulted is very much the result of collaboration.

Read more in the full interview online, and watch for Get Me Out of Here in April 2015.



Recent news Articles
[cover of Inspecting Nostalgia] Tuesday April 18, 2017 in Meta-Talon

“The result is not simple”: Two Poems from Inspecting Nostalgia

By R. Kolewe

Inspecting Nostalgia is a new collection of poetry by R. Kolewe. This, his second collection, brings together found text and fragments of various writers’ work with scraps from his own journals.

In this third week of National Poetry Month 2017, and in advance of Kolewe’s Toronto launch on May 8, please enjoy two poems from the collection on Meta-Talon.

[Once in Blockadia cover] Thursday April 13, 2017 in Meta-Talon

An excerpt from “Reading Wordsworth in the Tar Sands” by Stephen Collis

By Stephen Collis

Stephen Collis’s latest collection of poetry is nominated for the 2017 George Ryga Award for Social Awareness in Literature. It rethinks the relationship between human beings and the natural world and searches for ways we can continue to resist. Today on Meta-Talon, we offer a section from “Reading Wordsworth in the Tar Sands,” the second long poem in Once in Blockadia.

[cover of An Honest Woman] Monday April 10, 2017 in Meta-Talon

“REDress”: A poem by Jónína Kirton, from An Honest Woman

By Jónína Kirton

For you, in solidarity, during this National Poetry Month, a poem from Jónína Kirton’s new collection.

Thursday March 23, 2017 in Meta-Talon

Karasick gives to SFU library

Critically acclaimed poet and Vancouver native Adeena Karasick was in her hometown last month to celebrate the donation of her archive to Simon Fraser University. The Collection of Contemporary Literature at SFU’s Bennett Library contains one of the biggest selections of avant-garde poetry in North America.

Current Catalogues

[image: Fall 2016 catalogue] [image: Spring 2016 catalogue]

CURRENT FRONT LIST


 
[cover of A Crossing of Hearts]
A Crossing of Hearts

Michel Tremblay
Translated by Sheila Fischman
Frontlist

[cover of A Taste of Empire]
A Taste of Empire

Jovanni Sy
Drama

[cover of An Honest Woman]
An Honest Woman

Jónína Kirton
Poetry

[cover of Crees in the Caribbean]
Crees in the Caribbean

Drew Hayden Taylor
Drama


Ebooks (Full List)

Talonbooks
Backlist

[cover of Empire of the Son]
Empire of the Son

Tetsuro Shigematsu
Drama

[Entering Time cover]
Entering Time

Colin Browne
Non-Fiction

[cover of From Oral to Written]
From Oral to Written

Tomson Highway
Frontlist

[cover of In Search of New Babylon]
In Search of New Babylon

Dominique Scali
Translated by W. Donald Wilson
Frontlist

[cover of Inspecting Nostalgia]
Inspecting Nostalgia

R. Kolewe
Poetry

[cover of Legend]
Legend

Michael Blouin
Frontlist

[cover of Messenger]
Messenger

Wendy Lill
Frontlist

[cover of Same Diff]
Same Diff

Donato Mancini
Frontlist

[cover of The Gorge]
The Gorge

Nancy Shaw
Edited by Catriona Strang
Frontlist


Copyright Talonbooks 1963-2017

 

 

We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.


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