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Quill & Quire previews Spring 2015 books of all genres on its website this month, and two Talonbooks are mentioned in short fiction and poetry – Meredith Quartermain’s forthcoming collection of poetic short stories, I, Bartleby, and Jordan Abel’s Un/inhabited.
Pauline Johnson, Robin Blaser, Daphne Marlatt, and, of course, Melville haunt I, Bartleby (Talonbooks), the new collection of stories from Vancouver poet Meredith Quartermain. (source)
Un/inhabited (Talonbooks), the second collection from Nisga’a poet Jordan Abel, is a “source text” created by searching all the instances of words relating to territory, land, and ownership in the public domain works catalogued online by Project Gutenberg. The result is what fellow poet Shane Rhodes calls “graphic art, anti-poetry, a trace history of reading, and sociological groundwork.” (source)
Un/inhabited is available now for $24.95. Watch for I, Bartleby in April. See Q&Q’s other spring previews online.
August 12, 2018, is Buy a Quebec Book Day. Celebrate by purchasing a recent Talonbooks book in translation!Friday July 27, 2018 in Meta-Talon
Next year marks the tenth anniversary of Fred Wah’s is a door : to celebrate, Talon takes a look back at how the book got its name.Thursday March 8, 2018 in Meta-Talon
To celebrate International Women’s Day, we asked our staff to recommend favourite Talon books that they felt contributed to the advancement of women and to the feminist literary canon.Tuesday February 6, 2018 in Meta-Talon
By Carl Peters
On Meta-Talon today, please enjoy the full text of the presentation given by Carl Peters at the Modern Languages Association convention in New York City on January 7, 2018. This talk responds to the question posed in the MLA convention session Rhetoric in Post-Factual Times: how to perform textual analysis in a time when facts are no longer the marker of good argumentation. (Peters’s talk is also related to his work on Stein; Peters is recently the author of Studies in Description: Reading Gertrude Stein’s Tender Buttons.)
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.