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Donnie Smith in House. Photo by John Flynn
House is a one-man dark comedy about a guy named Victor, whose seemingly happy life – wife, house, job – has crashed around him, leaving him to pick through his sordid history in the hopes of coming out happier on the other side. Donnie Smith (The Lincoln Lawyer, Crank) stars in this intriguing mix of storytelling and stand-up comedy, penned by the award-winning Canadian writer-director Daniel MacIvor (Past Perfect, Wilby Wonderful), in which the performer addresses the audience directly.
Ed Huyck reviewed the play for CityPages.com. A few excerpts follow.Monday May 6, 2013 in Meta-Talon
Ash Tanasiychuk takes pictures. Of Dina Del Bucchia. Nuff said. Oh, and Otters!Monday April 29, 2013 in Meta-Talon
Joanne Arnott interviews Wanda John-Kehewin about her new book In the Dog House:
I can’t really say there were many poets of the past that influenced my writing. I think when I really started to be inspired was when I heard that there were other Native writers, and that wasn’t until I moved to the West Coast in 1991. For some reason I didn’t think it was actually something an “Indian” could do. There weren’t any books in the library that were by First Nations people when I was growing up.Thursday April 25, 2013 in Meta-Talon
Garry Thomas Morse on poetry prizes and/or music in poetry. Whatever!
Not to pull an academy-bashing Joaquin Phoenix, but strictly off the record, I’ve never understood how prizes relate to poetry, exactly, and a number of acclaimed poets have confessed a similar sentiment in my presence, in one way or another. One would hope that a poet only gets into the racket out of an imperative need to do so, if not a compulsive love, implying all the emotions and forms of resentment love can contain. In that case, how can a prize for being the greatest lover compare to said love itself?
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