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Last evening in downtown Vancouver, about 80 people gathered to hear seven readings from new works published by Talonbooks: six collections of poetry and one novel. Staff members from Vancouverâ€™s finest downtown indie bookstore, the Paper Hound, manned the book sales table, and the venue, Pyatt Hall (at the Vancouver School of Music), proved to be the perfect location for listening and experiencing poetry read aloud; all was silent but for the clear voices of the readers.
Kevin Williams, publisher, introduces the poets and shows off Peacock Blue: The Collected Poems of Phyllis Webb.
First up were three contemporary poets. ryan fitzpatrick read a few favourites from Fortified Castles ($16.95), including â€œCutie Marxismâ€ â€“Â which seems to have become a flagship poem from this collection â€“Â and one poem dedicated to Steve Collis, a fellow SFU poet who is currently being sued by Kinder Morgan for his part is resisting that corporationâ€™s attempts to develop a pipeline in Burnaby, BC. Read a poem from this collection, if you like, on Meta-Talon.
ryan fitzpatrick reads from Fortified Castles
Sandra Huber reads from Assembling the Morrow
The poised Sandra Huber took to the stage next, having flown in all the way from Berlin. Huber described her experience in residence at a sleep lab, out of which emerged her first collection of poetry, Assembling the Morrow ($24.95). The audience was intrigued by a video which presented a concrete poem in the form of a sleep graph, which in the print book is formatted as a fold-out insert. Huberâ€™s poetic essay and dropped pages established a certain mood.
Sleep and dreams began to take form as a motif throughout the following readings. Brian Henderson read from [OR] ($18.95), prefacing his reading with commentary on recent findings in neuroscience about cognition, consciousness, and our experience of time and memory. He described his poems as coming from that â€œhalf secondâ€ in the mind between experiencing and knowing.
Brian Henderson reads from [OR]
After an intermission during which the audience enjoyed wine, cheese, and other nibbles, the second half began with the poetry of Phyllis Webb, whose collected poems have now been published in Peacock Blue ($45). Webb, who is elderly and rarely travels, was not in attendance, but the wonderful and mesmerizing Daphne Marlatt read from Peacock Blue. (Stephen Collis was originally going to read Webb, but his involvement in the resistance to Kinder Morgan kept him from appearing. Marlatt noted this, and expressed support for him, which was felt throughout the room.) Marlattâ€™s reading was animated and joyful, truly channeling the spirit of Webb.
Daphne Marlatt reads from Peacock Blue
The one novel on the eveningâ€™s roster was Birth of a Bridge ($16.95) by Maylis de Kerangal, which is the down-and-dirty story of a bridge-building project told from lofty heights and set in a fantastical Californian city. Translator Jessica Moore was in attendance at the launch to read selections from this work, whose rich prose fit in well with the poetry â€“ and Jessicaâ€™s dulcet voice and precision certainly didnâ€™t hurt. Read an excerpt from Birth of a Bridge on Meta-Talon. Read Jessicaâ€™s thoughts on the translation process on Meta-Talon.
Jessica Moore reads from Birth of a Bridge
Poet and professor Jeff Derksen then introduced the oeuvre of Phinder Dulai, who read many selections from dream / arteries ($19.95), which explores the history of the Komagata Maru and its migrant passengers. This book, with its transparencies and extracts from archival material, also has a ghostly and dreamlike atmosphere, and Dulaiâ€™s rendition of it was evocative and meditative.
Phinder Dulai tells the audience about his archival research before reading from dream / arteries
Janet Rogers shows off her latest book, Peace in Duress
Janet Rogers closed the evening with her strong voice and her well-paced spoken word, reading from Peace in Duress ($16.95) and then performing other work. Listen to Rogers performing her poetry on Meta-Talon.
It is a privilege and an honour to publish works of such high calibre and to work with such innovative authors. We thank everyone who attended for coming out despite the chilly weather, and we hope to see you again next time!
To celebrate International Womenâ€™s Day, we asked our staff to recommend favourite Talon books that they felt contributed to the advancement of women and to the feminist literary canon.Tuesday February 6, 2018 in Meta-Talon
By Carl Peters
On Meta-Talon today, please enjoy the full text of the presentation given by Carl Peters at the Modern Languages Association convention in New York City on January 7, 2018. This talk responds to the question posed in the MLA convention session Rhetoric in Post-Factual Times: how to perform textual analysis in a time when facts are no longer the marker of good argumentation. (Petersâ€™s talk is also related to his work on Stein; Peters is recently the author of Studies in Description: Reading Gertrude Steinâ€™s Tender Buttons.)Thursday December 21, 2017 in Meta-Talon
Our little end-of-year present to you is a miniature from M.A.C. Farrantâ€™s delightful collection of very short stories, The World Afloat. Happy Holidays from Talonbooks!
Our Spiritual Lives
Weâ€™ve seen stains on tea towels that look like Jesus Christâ€™s face so we know he exists. And we know that dried seaweed can save the Douglas fir from extinction so we hang dried seaweed from the treeâ€™s branches.Tuesday December 5, 2017 in Meta-Talon
A finalist for the 2006 Governor Generalâ€™s Literary Award for Drama, In a World Created by a Drunken God has been in steady demand since it was first published 11 years ago. From 2006 until the end of 2017, In a World Created by a Drunken God was in print with its original cover, which showed moving boxes and a flip phone. Now, Talonbooks has reprinted In a World Created by a Drunken God for the fourth time, and it wears a dynamic, new cover â€¦
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.