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Check out rob mclennan’s blog for an interview with poet Phinder Dulai, published late last week. Here is just one question and answer, as a teaser:
What other writers or writings are important for your work, or simply your life outside of your work?
There have been many writers, critical thinkers, artists, film-makers visual artists, as well as quotidian moments of everyday living, listening, and the collation of ephemera that my poetry and creative antennae pick up on. In terms of writing, this includes literature that is considered ‘high art’ and also popular fiction. My bookshelf includes a range of books by authors who make a home in Canada, the U.S., England and other nations. The first time I read something that absolutely shifted my thinking about narrative time was Virginia Woolf’s Orlando. The novel is truly an innovative fiction and engaged a robust re-consideration of narrative time that was revolutionary; and considering it was published in 1929, it adds more weight to Woolf as a true innovator at a time where the great novels were being celebrated. This is equally true of my second defining reading experience that led me to move my commitment to greater learning and discipline in my embryonic stage of writing, and that was after reading Salman Rushdie’s Midnight’s Children and reading all of his subsequent novels. Both these novels really did do that for me in terms of then considering how I have looked at how time is sequenced within fiction and poetry, or in poetry’s case, how that flow is really more like dream time – image experiences that one floats through in a disjointed string of dream tableaus experiences. I see a clear connection to the sub-genre of magic realism to my work in poetry; and there are many poets who may not really have this in their lexicon, but I realize for the work I generate, I am always balancing the use of a clear social realism lens with interior lyric mode of address in poetry.
To celebrate International Women’s Day, we asked our staff to recommend favourite Talon books that they felt contributed to the advancement of women and to the feminist literary canon.Tuesday February 6, 2018 in Meta-Talon
By Carl Peters
On Meta-Talon today, please enjoy the full text of the presentation given by Carl Peters at the Modern Languages Association convention in New York City on January 7, 2018. This talk responds to the question posed in the MLA convention session Rhetoric in Post-Factual Times: how to perform textual analysis in a time when facts are no longer the marker of good argumentation. (Peters’s talk is also related to his work on Stein; Peters is recently the author of Studies in Description: Reading Gertrude Stein’s Tender Buttons.)Thursday December 21, 2017 in Meta-Talon
Our little end-of-year present to you is a miniature from M.A.C. Farrant’s delightful collection of very short stories, The World Afloat. Happy Holidays from Talonbooks!
Our Spiritual Lives
We’ve seen stains on tea towels that look like Jesus Christ’s face so we know he exists. And we know that dried seaweed can save the Douglas fir from extinction so we hang dried seaweed from the tree’s branches.Tuesday December 5, 2017 in Meta-Talon
A finalist for the 2006 Governor General’s Literary Award for Drama, In a World Created by a Drunken God has been in steady demand since it was first published 11 years ago. From 2006 until the end of 2017, In a World Created by a Drunken God was in print with its original cover, which showed moving boxes and a flip phone. Now, Talonbooks has reprinted In a World Created by a Drunken God for the fourth time, and it wears a dynamic, new cover …
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