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Drew Hayden Taylor’s God and the Indian is currently being staged by Toronto’s Native Earth Performing Arts company. In it, a former teacher and a former student, both of whom lived at the same residential school, recognize one another on the street. The play explores what is possible when the abused meets the abuser and is given a free forum for expression.
Jazz.fm called the show “an emotional experience,” but one in which “humour is essential, powerful, and heartbreaking.” Read Lise Hosein’s review of the show, and listen to snippets of her conversations with Drew Hayden Taylor and actress Lisa Ravensbergen (who plays Johnny) here.
God and the Indian will also run in Vancouver this month.
The Gorge: Selected Writing by Nancy Shaw launched in April, 2017 at the Western Front in Vancouver. To launch Shaw’s book, published posthumously, editor Catriona Strang read from The Gorge, and then this video was played to a rapt audience. In the video, you’ll hear the voice of Nancy Shaw, reading poems from her book Cold Trip (2006; co-authored with Catriona Strang).Tuesday April 18, 2017 in Meta-Talon
By R. Kolewe
Inspecting Nostalgia is a new collection of poetry by R. Kolewe. This, his second collection, brings together found text and fragments of various writers’ work with scraps from his own journals.
In this third week of National Poetry Month 2017, and in advance of Kolewe’s Toronto launch on May 8, please enjoy two poems from the collection on Meta-Talon.Thursday April 13, 2017 in Meta-Talon
Stephen Collis’s latest collection of poetry is nominated for the 2017 George Ryga Award for Social Awareness in Literature. It rethinks the relationship between human beings and the natural world and searches for ways we can continue to resist. Today on Meta-Talon, we offer a section from “Reading Wordsworth in the Tar Sands,” the second long poem in Once in Blockadia.Monday April 10, 2017 in Meta-Talon
For you, in solidarity, during this National Poetry Month, a poem from Jónína Kirton’s new collection.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.