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Canada’s Poet Laureate Fred Wah reading at Simon Fraser University (extension downtown Vancouver) as part of the Charles Olson Centenary in June, 2010.

Daniel MacIvor’s Cul-de-sac Reviewed by Ed Huyck
Cul-de-sac, a play by Daniel MacIvor, is currently being staged in Minneapolis, Minnesota, put on by the Loudmouth Collective at the Open Eye Figure Theatre.

Ed Huyck reviewed the play for CityPages.com. A few excerpts follow.
Monday May 6, 2013 in Meta-Talon
Way More Than A Thousand Words: Coping with Emotions and Otters Launch
Ash Tanasiychuk takes pictures. Of Dina Del Bucchia. Nuff said. Oh, and Otters!
Monday April 29, 2013 in Meta-Talon
Other People’s Moccasins: Joanne Arnott Interviews Wanda John-Kehewin
Joanne Arnott interviews Wanda John-Kehewin about her new book In the Dog House:
I can’t really say there were many poets of the past that influenced my writing. I think when I really started to be inspired was when I heard that there were other Native writers, and that wasn’t until I moved to the West Coast in 1991. For some reason I didn’t think it was actually something an “Indian” could do. There weren’t any books in the library that were by First Nations people when I was growing up.
Thursday April 25, 2013 in Meta-Talon
Text in the City: Music Somewhere Near a Griffin
Garry Thomas Morse on poetry prizes and/or music in poetry. Whatever!
Not to pull an academy-bashing Joaquin Phoenix, but strictly off the record, I’ve never understood how prizes relate to poetry, exactly, and a number of acclaimed poets have confessed a similar sentiment in my presence, in one way or another. One would hope that a poet only gets into the racket out of an imperative need to do so, if not a compulsive love, implying all the emotions and forms of resentment love can contain. In that case, how can a prize for being the greatest lover compare to said love itself?
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