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(Promotional Photo by Michael Grills Photography)
This summer, Leanna Brodie will be performing in one of her own creations, The Book of Esther.
In the rural community of Baker’s Creek the Dalzell family struggle to keep their farm, family and faith intact. To top it all off, their 15 year-old daughter Esther has just run away from home. This heart-warming story, from the writer who brought us Schoolhouse, takes us on a young girl’s journey to find herself.
This show will be playing from July 12th – July 30th, 2011 at Mount Tabor Playhouse in Milford, Ontario.
by Chloë Filson
In a recent Meta-Talon article, “Reflections on Regionalism,” Megan Jones referred to the “quietly profound writers that dwell in far-off corners and dense urban hotbeds of this vast country.” This description points to one of the most important – or at least one of the most critically discussed – tensions in Canadian literature: urban vs. rural.Thursday November 28, 2013 in Meta-Talon
Tuesday November 26, 2013 in Meta-Talon
“With this magazine cover, I know it’s only a prototype, but with this cover, we decided to concentrate on the mole. This may look to you and me like an ordinary, and might I add rather famous, mole on a human face. Yet if we were to make that assumption, we would both be making a rather naive supposition.”
Candy blinked and stifled a yawn.
“Because,” roared F with wild eyes, nearly startling Candy out of her seat, “the mole is not a real mole at all!”
“Okay, Doc, I believe you. Just chill, okay.”Thursday November 21, 2013 in Meta-Talon
by Megan Jones
Regionalism. Yes, that dreaded word. Negative associations cling to this word during periods when tensions between national and local politics are high. … In the context of literature, [however,] the term can denote a text that reflects the customs, cultures, and landscapes of the region in which it’s set. …
At Talonbooks we are proud of Canadian authors, but perhaps as Rob Ford continues to damage our reputation as an intelligent and informed nation, we should recall our successes and bask in our best contributions to the world, which include quietly profound writers that dwell in far-off corners and dense urban hotbeds of this vast country.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.