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A mysterious valet ushers three people into a shabby hotel room. As the door locks behind them, an eternity of damnation lies ahead. What they soon discover is that hell isn’t fire and brimstone at all – it’s other people. No Exit, Jean Paul Sartre’s 1944 existential classic, adapted from the French by Paul Bowles, is skillfully re-imagined as a series of hidden cameras turn the stage into a cinema, and the audience into voyeurs as a meticulously staged live film takes place before your eyes. The result is a highly entertaining, live-mixed thriller that amplifies the psychology of three slightly-offstage performances by leveraging the techniques of cinema to deliver a high-impact stage experience.
Lucia Frangione is starring in No Exit from April 7 through May 1, 2011.

Canada: Home to a Dangerous Industry
By Fred A. Reed & Robin Philpot

Alain Deneault and William Sacher wrote Imperial Canada Inc.: Legal Haven of Choice for the World’s Mining Companies (2012) to provide Canadian and international public opinion with tools to help ask critical questions about Canadian activities in the South and in Eastern Europe, as well as about the role of the Canadian government in relation to these activities. It is hoped that the evidence presented here will encourage Canadians to enter public debate about how the mining industry is regulated in Canada and to form an opinion on this topic independent from the one suggested by official agencies or media that belong to large Canadian financial conglomerates and tend to espouse their interests.
Monday June 10, 2013 in Meta-Talon
For the Pleasure of Seeing Her Again, a play by Michel Tremblay, is currently being staged at the National Arts Centre (N.A.C.) in Ottawa, Ontario, as part of the Magnetic North Theatre Festival.

The following are excerpts from two reviews of the show, originally published in the Ottawa Citizen on June 3 and June 8, 2013, written by Patrick Langston.
Friday June 7, 2013 in Meta-TalonDrew Hayden Taylor’s Political Persuasions
Award-winning Ojibwa author and playwright Drew Hayden Taylor (Dead White Writer on the Floor, 2011) writes the occasional column for the Peterborough Examiner in Peterborough, Ontario. In his latest column, available in its original form here, he discusses his approach to storytelling and politics.

As a First Nations writer of fiction and non-fiction, and frequent lecturer on the university/college and conference circuit, I am commonly asked about my political persuasion. Do I swing left, right, or am I more ambidextrous?
Wednesday June 5, 2013 in Meta-Talon
The June 2013 issue of Quill & Quire includes a review of Daphne Marlatt’s latest book of poetry, Liquidities (Talonbooks, 2013). We republish this review here with permission from Quill & Quire.

Liquidities: Vancouver Poems Then and Now extends a project Daphne Marlatt began over 40 years ago with the 1972 publication of Vancouver Poems …
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.