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Last month, British Columbia’s Simon Fraser University announced the life work of Canadian writer and poet Adeena Karasick would be added to its Bennett Library Contemporary Literature Collection. The library purchased 20 banker’s boxes worth of Karasick’s personal and poetic papers, drafts, correspondence, journals, posters, audiotapes, and videotapes, which will be processed, inventoried, re-boxed, digitized, and stored for posterity; graduate students and researchers will have access to the work. The collection focuses on 20th century avant-garde, experimental, formally innovative, and “underground” writing in English, most of it poetry.
Below, watch a compilation of Karasick’s videopoems, featuring her notorious “I Got a Crush on Osama”; “I wrote that videopoem … at a time when the world was on a rampage looking for Osama [bin Laden] and all our news was geared towards this obsessive concern with where he was. … Sometimes you have to laugh in the face of fear to devalue it, make it less problematic … The poem is audacious, subversive, provocative, and cuts into the fabric of things. That is the role of art.”
August 12, 2018, is Buy a Quebec Book Day. Celebrate by purchasing a recent Talonbooks book in translation!Friday July 27, 2018 in Meta-Talon
Next year marks the tenth anniversary of Fred Wah’s is a door : to celebrate, Talon takes a look back at how the book got its name.Thursday March 8, 2018 in Meta-Talon
To celebrate International Women’s Day, we asked our staff to recommend favourite Talon books that they felt contributed to the advancement of women and to the feminist literary canon.Tuesday February 6, 2018 in Meta-Talon
By Carl Peters
On Meta-Talon today, please enjoy the full text of the presentation given by Carl Peters at the Modern Languages Association convention in New York City on January 7, 2018. This talk responds to the question posed in the MLA convention session Rhetoric in Post-Factual Times: how to perform textual analysis in a time when facts are no longer the marker of good argumentation. (Peters’s talk is also related to his work on Stein; Peters is recently the author of Studies in Description: Reading Gertrude Stein’s Tender Buttons.)
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.