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September 2017

Wednesday September 20, 2017
DAS UBERBINSCHE TOUR 2017 (Danielle LaFrance + Anahita Jamali Rad)

Friday September 22, 2017
Sidney Literary Festival, featuring M.A.C. Farrant

Friday September 22, 2017
Wanda John-Kehewin reads at Surrey Muse

Wednesday September 27, 2017
M.A.C. Farrant at the Victoria Festival of Authors

October 2017

Tuesday October 3, 2017
Play: “1 Hour Photo” by Tetsuro Shigematsu at the Cultch in Vancouver

Wednesday October 11, 2017
City of Victoria Butler Book Prize Gala, with M.A.C. Farrant

Friday October 13, 2017
Jordan Abel as part of the Poetry Cabaret at Wordfest Calgary

Friday October 20, 2017
Honouring Reconciliation Reading Circle: Bev Sellars' They Call Me Number One

Saturday October 21, 2017
A Celebration of Talonbooks at the Vancouver Writers Fest

Tuesday October 24, 2017
Daphne Marlatt gives the Page Lecture at Queen’s University, Kingston

Thursday October 26, 2017
Play: "Only Drunks and Children" at the Magnus Theatre in Thunder Bay, ON

Friday October 27, 2017
Poetry Reading: Daphne Marlatta and Erín Moure, Montreal

November 2017

Friday November 3, 2017
Stephen Collis at the Festival of Readers (St. Catharines, ON)

Friday November 3, 2017
“Missing”: A new opera about the Highway of Tears at the Cultch, Vancouver

Saturday November 11, 2017
Play: “Only Drunks and Children Tell the Truth” in Vancouver, BC

January 2018

Tuesday January 16, 2018
Play: Empire of the Son at Alberta Theatre (Alberta, AB

Thursday January 25, 2018
Play: “Jitters” by David French in Vancouver

June 2018

Friday June 15, 2018
Play: “Hosanna” at the Centaur Theatre, Montreal
Posted: Friday October 13, 2017
Jordan Abel as part of the Poetry Cabaret at Wordfest Calgary

Calgary, Alberta
October 13, 2017 @ 9:00 pm – 11:00 pm
Big Secret Theatre
205 8th Avenue SE, Calgary, Alberta T2G 0K9 Canada

The Poetry Cabaret at Wordfest in Calgary
Clea Roberts presents her second poetry collection Auguries at Wordfest in Calgary at the Poetry Cabaret on Friday, October 13 from 9:15 p.m. to 11 p.m.

A subversive cocktail of poetic voices served with a dash of bitters and a zesty twist. Each of these talented authors brings to the Wordfest stage a unique perspective on topics ranging from feminism, LGBTQ+ issues, Indigenous interests, and everyday mysteries. Musical accompaniment by Cris Derksen, Nick Ferrio, and Ashley Simpson, who will also be performing on Saturday night with Leanne Betasamosake Simpson.

Injun (Jordan Abel)
Abel’s third collection, Injun, is a long poem about racism and the representation of Indigenous peoples. Composed of text found in western genre novels published between 1840 and 1950 – the heyday of pulp publishing and a period of unfettered colonialism in North America – Injun uses erasure, pastiche and a focused poetics to create a visually striking response to the western genre.

This Wound is a World (Billy-Ray Belcourt)
Part manifesto, part memoir, This Wound is a World is an invitation to “cut a hole in the sky to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder sadness and pain like theirs without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.”

Hera Lindsay Bird (Hera Lindsay Bird)
With themes as varied as snow and tears, the poems in Hera Lindsay Bird shine with Bird’s skill and verve, juxtaposing classical and modern tastes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog, or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert.

What the Soul Doesn’t Want (Lorna Crozier)
In her newest collection, Lorna Crozier describes the passage of time in the way that only she can. Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.

Auguries (Clea Roberts)
Whether speaking of erotic love, domestic life, spiritual wilderness or family entanglements, the poems of Auguries, the much-anticipated second collection from Yukon poet Clea Roberts, are saturated with their northern landscape. With poems like single larches, each in an immense white plain spare and clean, their exactness startling and arresting, Roberts showcases her sensitivity and skill in this profound collection.

Dazzle Ships (Jamie Sharpe)
Jamie Sharpe’s Dazzle Ships draws its title from 20th century ships that employed dazzle camouflage: a confusing array of lines that distorted the viewer’s perspective, using art to hide life. Sharpe’s collection is also concerned with art’s relationship to life. It questions how we build poems from the material of mass culture.

Admission Requirements (Phoebe Wang)
The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being.

To book your tickets, click here .



Thursday August 10, 2017 in Meta-Talon

Buy a Quebec Book Day! August 12

August 12 is Buy a Quebec Book Day – and have we got books for you! Browse our list of 12 august and recently published Quebec books – any of which we would, of course, recommend. Read the list, and then get out to your local bookstore this Saturday and show la belle province some literary love!

[cover of The Gorge] Friday June 23, 2017 in Meta-Talon

Listen: Nancy Shaw reads her poems

The Gorge: Selected Writing by Nancy Shaw launched in April, 2017 at the Western Front in Vancouver. To launch Shaw’s book, published posthumously, editor Catriona Strang read from The Gorge, and then this video was played to a rapt audience. In the video, you’ll hear the voice of Nancy Shaw, reading poems from her book Cold Trip (2006; co-authored with Catriona Strang).

[cover of Inspecting Nostalgia] Tuesday April 18, 2017 in Meta-Talon

“The result is not simple”: Two Poems from Inspecting Nostalgia

By R. Kolewe

Inspecting Nostalgia is a new collection of poetry by R. Kolewe. This, his second collection, brings together found text and fragments of various writers’ work with scraps from his own journals.

In this third week of National Poetry Month 2017, and in advance of Kolewe’s Toronto launch on May 8, please enjoy two poems from the collection on Meta-Talon.

[Once in Blockadia cover] Thursday April 13, 2017 in Meta-Talon

An excerpt from “Reading Wordsworth in the Tar Sands” by Stephen Collis

By Stephen Collis

Stephen Collis’s latest collection of poetry is nominated for the 2017 George Ryga Award for Social Awareness in Literature. It rethinks the relationship between human beings and the natural world and searches for ways we can continue to resist. Today on Meta-Talon, we offer a section from “Reading Wordsworth in the Tar Sands,” the second long poem in Once in Blockadia.

Current Catalogue

[image: Talonbooks 2017 catalogue]

CURRENT FRONT LIST


 

After Class

George F. Walker
Frontlist


Anima

Wajdi Mouawad
Translated by Linda Gaboriau
Frontlist


Art of Building a Bunker, The

Adam Lazarus & Guillermo Verdecchia
Frontlist


Daisy

Sean Devine
Frontlist


Forward

Chantal Bilodeau
Frontlist

[cover of From Oral to Written]
From Oral to Written

Tomson Highway
Frontlist


full-metal indigiqueer

Joshua Whitehead
Frontlist


Intertidal

Daphne Marlatt
Edited by Susan Holbrook
Frontlist


Just, The

Albert Camus
Translated by Bobby Theodore
Frontlist

[cover of Legend]
Legend

Michael Blouin
Frontlist


Prison Industrial Complex Explodes

Mercedes Eng
Frontlist


Reveries of a Solitary Biker

Catriona Strang
Frontlist


Wayside Sang

Cecily Nicholson
Frontlist


Zora

Philippe Arseneault
Translated by Fred A. Reed & David Homel
Frontlist


Copyright Talonbooks 1963-2017

 

 

We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.


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