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Wednesday January 11, 2017 in Books
Nancy Shaw was an award-winning poet, scholar, and critic who was formative in shifting the ground of Canadian literature and poetics. She was a member of the influential Kootenay School of Writing (KSW) collective, co-director of Writing magazine, artist-in-residence at the Western Front in the 1980s, and served as a chair of the Vancouver New Music Society.
In a 1994 CBC interview with KSW poets Jeff Derksen, Lisa Robertson, Catriona Strang, and Shaw herself, Shelagh Rogers asked American poet Peter Gizzi to describe their work, and he said: â€œTheir work is unbridled, valiant, and vivid. [Their] vocabulary [is] reinventing the present.â€
Shawâ€™s work was rooted in the contemporary and deeply concerned with collaboration, the institutionalization of art, the potential of the epistolary form, and the breaking of poetic conventions by offering interdisciplinary perspectives.
In Vancouver Anthology: The Institutional Politics of Art, Shaw wrote that collaborations allowed her to â€œquestion notions of authorship and originality.â€ She collaborated with artists and musicians such as Eric Metcalfe, and drew from popular music to write anthems and torch songs such as â€œTorch Song #6â€ in which she asserts: â€œ[â€¦] burst through my song / my watery one / my singular scrap.â€
Edited by Catriona Strang â€“ who co-authored Busted, Cold Trip, and Light Sweet Crude with Shaw â€“ The Gorge collects a range of Shawâ€™s prolific writing with a focus on her collaborations and poetry.
The Gorge: Selected Writing of Nancy Shaw resumes Talonbooksâ€™ affordable and carefully curated Selected Writing series that began in the 1980s.
ISBN 13: 9781772011401 | ISBN 10: N/A
6 W x 9 H inches | 224 pages
$19.95 CAN / $19.95 US
Poetry | Backlist
QUOTES OF NOTE
â€œPart of what becomes immediately clear about going through the work in this volume is how fresh the pieces remain, presenting both a critical eye and a lively sense of language, meaning and sound, still able to remind one just what might be possible in writing. Even for those of us who might already have copies of all her trade collections, such a selected, especially with previously unpublished and uncollected works included, allows for such a wonderful opportunity to revisit the work of an author one might not have looked through in some time; and, too, to mourn such a significant loss.â€
â€”rob mclennanâ€™s blog
About the ContributorsNancy Shaw
Nancy Shaw was an award-winning poet, scholar, art critic, and curator. During the 1980s in Vancouver, she was at the centre of interdisciplinary collaborations, contributing as a writer, artist, curator, and critic. Just prior to her death in 2007, she was engaged in new research on McLuhan and the visual arts.Catriona Strang
A founding member of the Institute for Domestic Research, and former member of the Kootenay School of Writing collective, Catriona Strang is the author of Low Fancy and co-author with the late Nancy Shaw of Busted and Light Sweet Crude. Her collection of poetic responses to Proust, Corked, was published in 2014. She frequently collaborates with composer Jacqueline Leggatt and clarinetist FranÃ§ois Houle. She lives in Vancouver, where she and her two kids are active in the local home learning community.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.