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Tuesday May 29, 2012 in Books
Part courtroom drama and part social satire, Seeds presents an intelligent portrait of farming and scientific communities in conflict and at the same time penetrates the complex science of genetically modified crops. The play documents the 2004 Supreme Court of Canada showdown between Saskatchewan farmer Percy Schmeiser and biotech multinational Monsanto Inc., a David-and-Goliath struggle that cast Schmeiser as the small-farmer underdog fighting the unscrupulous major corporation. Monsanto accused him of growing their genetically patented Roundup Ready canola seeds on his property without paying the licensing fee they require. Through a suspenseful labyrinth of legal conflicts regarding patent rights, scientific showdowns about GM food and property clashes between farmers and the biotechnology industry, Seeds asks the essential question: “Can you patent a living thing?” Or as Schmeiser famously asked, “Who owns life?”
A most interesting aspect of the play is the ambiguity around the hero Percy Schmeiser. Is he a victim or an opportunist and self-publicist? Certainly, he’s no innocent; as he keeps telling us, he’s an experienced politician, in fact an ex-mayor. He’s a believer who knows how to frame his beliefs to advantage. He can be grand and he can be petty – and as such he is antihero as much as hero.
Named the top play of the decade by Rover Arts in its review of English theatre in Montreal between 2000 and 2010, Seeds takes us back to the seminal moment when a single farmer stood up to international agribusiness and almost won.
Cast of 4 women and 3 men.
ISBN 13: 9780889227019 | ISBN 10:
5.5 W x 8.5 H inches | 144 pages
$18.95 CAN / $18.95 US
Backlist | Drama | Bisac: DRA000000
QUOTES OF NOTE
“The Schmeiser v. Monsanto case is just one story in a hugely complicated one, and Seeds feels like an important and useful part of the conversation.”
“Soutar has done such a good job sowing the seeds of doubt that you wonder if this is nothing more than passionate rhetoric. Her play gives us plenty to think about, but leaves us to make up our own minds.”
—Globe and Mail
“Seeds has all the ingredients of a rile-you-up and make-you-think humdinger of a story."
“Seeds is great journalism, and even better theatre.”
About the ContributorsAnnabel Soutar
Annabel Soutar is a Montreal-based playwright and theatre producer. In 2000 she co-founded the theatre company Porte Parole Productions with actor Alex Ivanovici, and she has acted as artistic director of the company since its inception. Annabel takes a documentary approach to theatre and since 1998 has applied it to her original plays, Novembre, 2000 Questions, Santé!, Seeds, Import/Export, and Sexy béton.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.