ISBN: 9780889229082
Pages: 144 pp
Pub. Date: November 11 2014
Dimensions: 8" x 5" x 0.5"
Rights: Available: WORLD
Categories
Poetry / POE011000

  • POETRY / Canadian

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[OR]
By Brian Henderson

[OR] might be a book of steganography. Or not. The tension of appearance inheres in it, and ciphertexts seem to abound. As the poems take up their concealing/revealing, coded/decoded, intelligence/counter-intelligence themes, borders and borderlands appear, are crossed, or are closed. Many of the borderlands turn out to be their own interiors – “secret” workings of the codes ghosting through them. Are they abject castoffs, lost possibilities, proscribed mutations, or future events?

Codes are hidden everywhere, sliding through the atmosphere, slipping into microwave towers, handheld devices, nervous systems, brains, retinas, bar codes, antimissile systems, the antennae of DNA, the traces of virtual particles, the Chauvet Cave drawings, your Twitter account. Each broaches a transformative version of its own transduction. The buck never stops. And since it’s been documented that perception happens before we know it (Benjamin Libet), and the future might already have happened, these poems ask what this might mean – especially in an accelerated, “semio-inflated” world of signs, words, and information.

Maybe it’s no wonder that the poems use tropes from spy thrillers and code breakers. In them a character may have been murdered, or moved to another dimension. Along the way strange perturbations occur to narrative and its others: memory, (prosthetic memory), dream, reportage, code, a little history of the future, déjà vu, paramnesia, the virtual – versions, evasions, and alternatives. Each poem gets read a few times, its code deciphered or ciphered back up. Some of the poems decay. Each reader reads his or her own poem and encodes it for another. What communication crosses out, these poems try to find. They might ask “What is reading?” while at the same time “Who are you?” In asking they acknowledge fragility, and in fragility, suggests William E. Connolly, lies the beginning of freedom.

“[OR] is an extraordinary book, brilliant from the first particle trace to the last. A luminous meditative transcendence links it all together, playing deep chords in both mind and flesh. The fluency of time and space created by these poems carries the reader beyond the named into gnosis. Henderson’s language is often just out of reach, which is perfect, drawing the reader deeper into his world by understanding its implications.”
– Don Domanski

“Who doesn’t love the ‘bullet’s longing for a heart’? Surprise, it’s Brian Henderson, versus the Uncertainty Principle. Over three decades, this mad trapper-scientist has named the exact origin of particles, and set them shooting off again, as if to clarify consciousness by exploding the ‘plural chaos’ of the unseen. What a hat trick: ontological clairvoyant, provisional sage, cartographer of both sides of language, he tracks beginning and end trajectories of fallen light, because the ‘world of forms’ is chaste, and must be chased by active silence, fulsome points, and tickertape, flickering and unfinished, insofar as our participation in life completes that nervous circuitry. Naming also conceals, like breathing, these fleet tracings: ‘You are a time-effect, of which a voice print can be made.’ Listen to the forensic phosphor of how things reach out, read and transpose each other. To read his poetry is to come clean from the haunting ordinary, made extraordinary. Always asking why, Henderson helps us dream the answer.”
– Weyman Chan

“[OR] is an extraordinary book, brilliant from the first particle trace to the last.”
– Don Domanski

“To read his poetry is to come clean from the haunting ordinary, made extraordinary. Always asking why, Henderson helps us dream the answer.”
– Weyman Chan

"This is a well crafted poetry book; I found it not to be of the multiple tones of emotions, but one controlled. I found Brian Henderson words are patient, careful not to focus on sadness, but the perspective of persevering. His poems are colorful, accommodated by nature’s precise temperament."—Derrick Williams, Goodreads

ORACULEFront Cover
ORACULE
By Nicole Raziya Fong

OЯACULE occurs at the intersection of poetry and theatre. Its characters inhabit a classical and cosmological world where psychic phenomena constantly threaten to impinge upon the arc of combat occurring between the women trapped within. Influenced by Friedrich Nietzsche’s The Birth of Tragedy, the writings of Plato, the films of…


$16.95
Paperback / softback
ISBN: 9781772013610
Pages:152
Dimensions: 9" x 6" x 0.4375"
Pub. Date: October 11 2021
Poetry / POE024000

Ordinary TimeFront Cover
Ordinary Time
By Gil McElroy

The poems in this collection examine how our experience of movement through space is what lends time its dimensionality, from childhood memories of the Cold War to the Julian calendar, making manifest the arc of a complete year-long cycle of both “sacred” and “ordinary” time, returning to our ongoing attempts…


$17.95
Paperback / softback
ISBN: 9780889226753
Pages:112
Dimensions: 9" x 6" x 0.4375"
Pub. Date: September 13 2011
Poetry / POE011000

Orwell in CubaFront Cover
Orwell in Cuba
By Frédérick Lavoie
Translated by Donald Winkler

Orwell in Cuba: How ‘1984’ Came to Be Published in Castro’s Twilight is a personal account of today’s Cuba at a pivotal point in its history, with the Castro brothers passing power on to a new generation. The book is akin to a detective story, as the author investigates how and why a state-run publishing house has come to release a new translation of George Orwell’s iconic anti-totalitarian novel Nineteen-Eighty-Four, formerly taboo.


$24.95
Paperback / softback
ISBN: 9781772012453
Pages:304
Dimensions: 8.5" x 5.5" x 0.75"
Pub. Date: May 6 2020
Non-Fiction / HIS041010