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Cold Comfort (NON-FICTION)
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Tuesday February 21, 2012 in Books

Cold Comfort (NON-FICTION)
Growing Up Cold War

By Gil McElroy

When his father died, award-winning poet and curator Gil McElroy was given a box of photographs that documented his father’s military career. Beginning in the Second World War and continuing right through to the end of the Cold War, the senior McElroy staffed Canada’s network of electronic defence, including the Distant Early Warning Line – a network of radar stations stretching along the Arctic coast from Alaska to Baffin Island.

Established in the early 1950s, the DEW Line provided advance warning of an aircraft or missile attack. There, servicemen lived in isolated radar stations, watching surveillance screens for the telltale blips that threatened nuclear annihilation.

McElroy reflects on the sacrifices these men made, living away from their families for great lengths of time – for the “greater good” of protecting North American airspace and
Western values.

At the same time, Cold Comfort follows McElroy’s experience of growing up as an itinerant military brat, who moved from one posting to another, and the military family’s attempts to hold together in the face of the father’s absence. Cold Comfort also explores the utter enigma that was the author’s father. Examining the contents of the box of photographs, image by image, McElroy attempts to come to terms with the mysterious photographer, a man better understood by his military compatriots than by his own family.

ISBN 13: 9780889226845 | ISBN 10: 889226849
5.5 W x 8.5 H inches | 272 pages
$18.95 CAN / $18.95 US
Rights: World
Backlist | Non-Fiction | Bisac: HIS027100

About the Contributors

Gil McElroy

Gil McElroy’s poems and other works have been published in countless periodicals throughout North America since the late 1970s; issued in a number of self-published chapbooks, broadsheets, and one-of-a-kind book works.

Awards and Recognition
Gerald Lampert Memorial Award Finalist (2002) Dream Pool Essays
Christina Sabat Award for Art Criticism (2001) Ground States: The Visual Contexts of bpNichol.

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