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Posted: Friday May 17, 2013
Ludovic Fouquet

Ludovic Fouquet is a visual artist, teacher, director, and founder of the multimedia theatre company songes mécaniques (Mechanical Dreams) in Blois, France. After training as an actor and dancer, Fouquet earned his PhD studying Robert Lepage’s artistic practice and its relationship to technology.

He contributed to the publication of La trilogie des dragons (The Dragons’ Trilogy, L’instant même, 2005). With Robert Faguy of Laval University, he wrote a practical book about the use of stage video, Face à l’image. Exercices, explorations, et expériences vidéoscéniques (L’instant même, forthcoming 2015). He prepared a photographic monograph of Lepage’s work (to be published).

Since 2000, he has given numerous workshops about the use of image on stage (theatre, visual arts, circus performance) at universities and schools or conservatories, including Laval University’s visual arts school and theatre department (Quebec), Université Censier-Sorbonne Nouvelle (Paris), École Supérieure d’Art Dramatique (Paris), and École du Cirque de Québec.

In addition to frequent speaking engagements at French and Quebec universities, Fouquet contributes regularly to numerous theatre and contemporary art magazines, including JEU revue de théâtre and ETC Montréal.

Fouquet divides his time between France and Quebec and his work between theatre and the making of screenprint and photographic images. Find out more at ludovicfouquet.com and songesmecaniques.com.



LATEST Ludovic Fouquet NEWS

October 2014 : New Arrival! The Visual Laboratory of Robert Lepage

QUOTES OF NOTE

The Visual Laboratory of Robert Lepage

“Fouquet’s impressively detailed observations reveal the alchemy taking place in Lepage’s ‘visual laboratory,’ as well as key influences that have driven his innovative, imagistic theatre from its beginnings … This book both reintroduces Lepage to scholarship and reminds us of the central position Lepage occupies in contemporary theatre practice.”
– James Reynolds

“The Visual Laboratory of Robert Lepage is essential reading for anybody interested in new-media performance and represents a valuable next step in the research of Lepage’s theatricality.”
– Aleksander Saŝa Dundjerović

“This book will be of great value to those interested in understanding the evolution of Lepage’s creativity, as well as to artists, teachers, and students making their own work with Lepage’s practice as inspiration.”
– Karen Fricker

“Ludovic Fouquet, in addition to being an avid spectator at many of Robert Lepage’s shows in Quebec and Europe, has been a privileged witness to the working sessions of the prolific playwright and attended many hours of rehearsal during research for this book.”
– Louise Vigeant, JEU: revue de théâtre

“In illuminating Lepage’s methods of creation (where the text often appears only at the end of a process of collective improvisation), [Fouquet] explores the wealth of the playwright’s work as well as his occasional failures.”
– Marie Labrecque, author of Une longue, longue marche

“Inarguably important to the field of imagistic theatre … This English-language translation comes eight years after the original French text, and it will undoubtedly appeal to artists, teachers, and students who wish to understand and draw inspiration from Lepage’s theatrical creativity. … There are many splendid instances of explication … Fouquet is also excellent in showing how Lepage dramatizes technology. … this book is of unquestionable value to theatre scholars and Lepage devotees …”
– Stage and Page

"Robert Lepage is the Wayne Gretzky of Canadian theatre, as dazzling and prolific on the stage as Gretzky was on ice, with name recognition anywhere in the world his game is played. Unlike the other Great One, Lepage plays multiple positions: writer, director, designer, actor. His arenas range from theatre to opera to circus. His moves are many and varied. He shoots, he scores."
– Jerry Wasserman, Literary Review of Canada


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