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Hesiod, one of the earliest Greek poets, is generally thought by scholars to have been active in the eighth century BCE, at about the same time as Homer. Hesiod’s two complete extant works are Works and Days, which instructs on farming techniques and early economic theory, and Theogony, on the origin of the world and the genealogies of the gods. As author of some of the first autobiographical poems, Hesiod wrote in Works and Days that he lived in the village of Ascra in Boeotia in central Greece and that he won a tripod in a bardic competition at the funeral games of King Amphidamas.
February 2014 : Review: Theogony / Works and Days in the Glasgow Review of Books
August 2013 : 500 Talon Ebooks Sold!
QUOTES OF NOTETheogony / Works and Days
“C.S. Morrissey places a very modern sensibility under the light of these precious verses, and his translations remind us at every point that Hesiod’s gods are still with us, not as subjects to be worshipped and appeased through sacrifice, but as enduring motives that govern and disrupt our lives.”
– Roger Scruton, from the foreword
“Morrissey has brought fire and light to Hesiod’s work, and offered it to us with clarity and good humour, in the darkening air of our time.”
“We may look back to Hesiod’s poetry as representative of a cultural Golden Age when it was possible for a single work of literature to encompass the whole of traditional ‘wisdom’: high and low, ancient and modern, philosophical and poetic, practical and metaphysical.”
– New Republic
“Morrissey’s version … has a gnomic quality, and we do feel as if we are glimpsing the art of an ancient poet. … At the same time, the book does not discount the possibility of being used for academic purposes … this translation works effectively as a source for the myths which is uncommonly mindful of historical circumstances surrounding its composition, which we are at times in danger of forgetting. … Morrissey’s diligent style and innovative framing devices provide a new and helpful context to read and re-read some of the great founding narratives of classical literature.”
– Glasgow Review of Books
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