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D.A. Hadfield teaches English, drama and theatre studies at the University of Guelph and St. Jerome’s University (Waterloo, Ontario). Her readings of theatre history consider critical and historical narratives in the context of the archival materials—the “textual residues” of performance—that are implicated in the systems of representation.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.