Telephone: 604 444-4889
Outside Vancouver: 1 888 445-4176
Fax: 604 444-4119
To publish work of the highest literary merit by world class authors from the mainstream and the margins of Canada’s three founding nations, as well as from both visible and invisible minorities within Canada’s cultural mosaic, and to work with all of our authors to build their national and international literary careers throughout their active writing lives.
We have more than 500 titles in print, which have received well over 300 awards. We have built and continue to keep in print one of the finest and most diverse literary lists in Canada.
Role in Canadian Publishing
Talon’s dedication to the publication of over four decades of excellent Canadian literary work, created through an unbroken line of internal mentorship and succession of ownership in the company, has earned our publishing house the privilege of being one of the pre-eminent independent Anglophone literary presses in Canada. We are the only one of the pioneering “first generation” of Canadian literary publishers of the 1960s to have consistently maintained our success and independence over the past 45 years. We are Canada’s largest independent publisher of drama; do more translations from Québec than anyone else; and publish more Native voices than any other Canadian publisher with the exception of First Nations publisher Theytus Books.
Talon was first established as a poetry magazine with an editorial collective based at Magee High School in Vancouver in 1963, which moved to UBC in 1965. By 1967, the magazine had published so many young writers, Talon decided to become a book publisher for its authors.
Starting out with poetry, including the first books of Canada’s first Parliamentary Poet Laureate, George Bowering (Sticks & Stones), and Ken Belford’s Post Electric Cave Man respectively; the press diversified into drama with Beverley Simons’ Crabdance, George Ryga’s The Ecstasy of Rita Joe and James Reaney’s Colours in the Dark in 1969; into fiction with Jane Rule’s Desert of the Heart and Audrey Thomas’ Songs My Mother Taught Me in 1973; into Québec literature in translation with Robert Gurik’s The Trial of Jean Baptiste M. and Michel Tremblay’s Les Belles Soeurs in 1975; and into non-fiction with the collected works of ethnographer Charles Hill-Tout, The Salish People, Volumes I-IV, in 1979.
In the early 1980s, the press experimented with publishing highly successful commercial titles. However, we found that these not only took too much time away from our new literary work but also threatened, by putting at too great a risk, the company’s solid literary backlist. For these reasons, the press returned to its original, exclusively literary mandate in 1985.
Over the past decade, Talon has diversified its literary non-fiction list to include works on global flash-points in the Middle East and the Balkans, and on Canadian issues and politics.
Talon is a member of the following organizations:
The Literary Press Group
The Association of Book Publishers of B.C.
Canadian Booksellers Association
The Canadian Conference of the Arts
The Association of Canadian Publishers
Scree: The Collected Earlier Poems of Fred Wah, 1962–1991 was published last fall to much warm acclaim. Scree gathers in one volume 13 rare or out-of-print books of poetry by Fred Wah, allowing readers to (re)discover the groundbreaking work of this recent Parliamentary Poet Laureate of Canada. Today on Meta-Talon, learn more about Wah’s work by reading extracts from the introduction to Scree (pages 1–13).Monday January 11, 2016 in Meta-Talon
The newly revived (thank goodness!) Capilano Review has published a web folio revisiting Roy Kiyooka’s Pacific Windows, which was published by Talonbooks in 1997. Have a look:
ti-TCR number 12 | spring 2015: Revisiting Roy Kiyooka’s Pacific WindowsMonday December 21, 2015 in Meta-Talon
Thursday December 10, 2015 in Meta-Talon
Cerulean Blue is a comedic play by Drew Hayden Taylor – who else? – about a struggling blues band invited to participate in a benefit concert for a First Nation community in conflict with governmental authorities. This play is an homage to fast-moving farces while also addressing Aboriginal issues, and it’s original blues soundtrack (score by Andrew Clemens) and large ensemble cast make it one heck of a performance! Today on Meta-Talon, read parts of Scene Four of Cerulean Blue.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.